The term that refers to the fundamental motion of capoeira the "sway" of the player's body from side to side in wide-legged stances is called ginga.
Ginga is a basic movement in capoeira that involves a continuous back and forth motion of the body. The player moves their body from side to side in a wide-legged stance while maintaining a low center of gravity. Ginga is considered to be the foundation of capoeira movements and is used as a transition between different techniques and sequences.
In addition to its functional purpose in capoeira, ginga also has cultural significance. It is seen as a symbol of the fluidity and adaptability of capoeira, reflecting the history of the art form as a tool for survival and resistance among enslaved Africans in Brazil.
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Imagining how the performer would feel in a particular situation is called the "________."
The magic happens when a performer considers how they would feel in a particular situation.
What is the phrase used to describe a circumstance where a real-life actor plays the part?Method actors practise on themselves so they may adapt their own experiences to whichever character they are playing. In a performance, the actor takes on the persona of the character they are portraying.
What distinguishes acting in real life from stage acting?Where performing on the stage and acting for the screen diverge most is in how the audience is positioned. Actors must accentuate their facial emotions and body language because of the distance between the stage and the audience in theatres.
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Who is the composer who created the Midsummer Night's Dream?
Explanation: A Midsummer Night's Dream, incidental music by German composer Felix Mendelssohn written to accompany performances of Shakespeare's play A Midsummer Night's Dream at the Prussian royal court.
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how does the harvard debater’s word choice indicate his perspective/view of these events (tone)?
The word choice of the Harvard debater reveals his perspective on these events since it conveys assurance and a forceful tone. The words irrefutable, urgent, etc are employed.
What is the main takeaway from the ]great debater?The Great Debaters chronicles the rise to fame of Professor Melvin Tolson and the debate team he led at Wiley College, a small black college in Marshall, Texas, in 1935. The team first defeated rival black colleges before competing against teams from white universities. However, viewers will be glad to hear that the movie is not like a two-hour presidential debate.
Instead, the subjects in the comparatively brief discussion scenes provide the protagonists a chance to express themselves strongly about concerns like welfare or the integration of higher education that, to them, are not only intellectual debates but rather problems with very real implications for their lives.
The most glaring flaw in the movie is that the Wiley team is never seen having to defend a viewpoint that conflicts with Tolson's politics, who is regarded as a radical and who, up to the pivotal competition versus Harvard, draughts all of the team's arguments.
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What is the name of the town where Elie grew up?
Answer:
He grew up in sighet it is known today as Sighetu Marmatiei
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What does Travis ask for when he comes out of the bathroom
Why is the praying opera singer wearing army/dog tags?
The praying opera singer might be wearing army/dog tags for a few reasons:
Because of Character portrayal, Symbolism, Personal connection.
Character portrayal:
The singer could be playing a character with a military background or connection in the opera.
The dog tags help visually represent that character's identity and past experiences.
Symbolism:
The dog tags might symbolize a deeper meaning within the context of the opera, such as sacrifice, patriotism, or the merging of art and military life.
Personal connection:
The opera singer might have a personal connection to the military, such as being a veteran or having a family member who served.
Wearing dog tags could be a way to honor that connection and bring personal meaning to the performance.
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why do you think that there is a need to value the artwork and art movement from the past eras
Answer:
Who we are
Explanation:
Looking at art from the past contributes to who we are as people. By looking at what has been done before, we gather knowledge and inspiration that contribute to how we speak, feel, and view the world around.
what other metal did the tairona artists mix into the gold to lower the melting point and result in a firmer outcome than if they had used pure gold?
The Tairona artists mixed copper into the gold to lower the melting point and result in a firmer outcome than if they had used pure gold.
The Tairona culture, which thrived in what is now Colombia, created their metalwork with an alloy of gold and copper. The Tairona artists were able to lower the melting temperature of the metal by incorporating copper into it, making it easier to deal with.
Because copper is a harder metal than gold, the resulting alloy was more robust and durable than pure gold.
The Tairona employed a technique known as "lost-wax casting" to produce their metalwork. They made a wax replica of their chosen thing and then coated it in clay.
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Which of these artworks was not made as propaganda to supplement the power of the ruler it represents?
a. all of these were propagandistic artworks
b. The Armada Portrait
c. Mao Zedong's portrait at Tiananmen
d. Napoleon Crossing the Alps
e. Stela of Hammurabi
These were all propaganda pieces of art that were not created to increase the authority of the rulers they depict. Option a is correct.
The preamble indicates that Shamash chose Hammurabi to convey the rules to the people, and a sculpture at the top of the stele shows Hammurabi receiving the laws from Shamash, the Babylonian deity of justice.
Picasso's massive mural-sized painting Guernica, which was on display to millions of visitors at the Paris World's Fair in 1937, served as an expression of his fury against war. Since then, it has emerged as the most potent condemnation of war in the twentieth century, and it still seems incredibly timely today. Option a is correct.
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Which best describes the psychological progression of Symphony No. 5 in C Minor?
The heroic conflict with fate, beginning stormily and culminating triumphantly, best captures the psychological development of Symphony No. 5 in C Minor.
What is Symphony?A symphony is a lengthy musical work, typically consisting of three or four sections. The violin family of instruments is frequently used by a group of performers who play in an orchestra. Around the 1700s, overtures for operas gave way to symphonies in Italy's Neopolitan School, which Alessandro Scarlatti created. The word "symphony" is derived from the Greek words "sinfonia," which means "playing together," and "syn," which means "together" and "phonê," which means "voice, or sound." It is the ideal name for this new genre. Despite the solo sections, the musicians in a symphony are essentially working as a team. Though there are several that have more or fewer, symphonies typically contain four movements, and concertos often have three. Putting that aside, both adhere to conventional formal musical forms.To learn more about Symphony, refer to:
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What does Elie do in response to the actions of Rabbi Eliahu's son?
In the book "Night" by Elie Wiesel, Elie witnesses the separation of Rabbi Eliahu from his son during a forced march from one concentration camp to another. The son abandons his father during the march, and Rabbi Eliahu desperately searches for him among the prisoners.
In response to this, Elie feels a sense of anger and disgust towards the son for abandoning his father. However, Elie also feels a sense of guilt for having such thoughts, as he fears that he himself may be capable of doing the same thing in such a brutal and dehumanizing environment. Elie ultimately decides to pray for Rabbi Eliahu's son and for himself, asking for strength and guidance to remain human in the face of the horrors they are enduring.
Elie's response to this incident shows the moral and spiritual struggle that many prisoners faced in the concentration camps, where survival often meant compromising one's own values and sense of humanity.
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The design system for the Nineteenth Olympiad in Mexico City was inspired both by contemporary fine art and by research into __________________ ________________.
The design system for the Nineteenth Olympiad in Mexico City was inspired both by contemporary fine art and by research into pre-Columbian culture.
The Nineteenth Olympiad, also known as the 1968 Summer Olympics, was held in Mexico City. The design system for the Olympics was created by Lance Wyman, a graphic designer who drew inspiration from a variety of sources.
One of the key influences on the design system was contemporary fine art, particularly the Op Art movement, which used optical illusions and geometric shapes to create dynamic and engaging visual experiences. Wyman also conducted extensive research into pre-Columbian culture, which he felt was an important aspect of Mexican identity.
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Identify who said this quote . "They think I'm mad."
The quote "They think I'm mad" is spoken by the character of Holden Caulfield in J.D. Salinger's novel "The Catcher in the Rye".
Holden is a teenage boy who has been expelled from his prep school and is wandering around New York City, struggling with feelings of alienation and disillusionment.
He often feels that he is different from those around him and that he doesn't fit in with society's expectations.
In this quote, Holden is reflecting on the fact that many people perceive him as being mentally unstable or emotionally disturbed, highlighting his sense of disconnection from others and his own troubled state of mind.
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What changes did Astor Piazzolla introduce to tango to adapt it for performance in the concert hall?
Astor Piazzolla introduce the use of improvisation and jazz harmonies in the music to tango to adapt it for performance in the concert hall.
The traditional tango was changed by Argentine composer and bandoneons Astor Piazzolla by including elements of jazz and classical music, among other styles. He altered the traditional tango style in a number of ways to make it suitable for performances in concert halls.
Jazz harmonies and improvisation are used in the music, instead of the traditional tango structure of verse and refrain, utilizing extended forms like suites and variations. more intricate rhythms and harmonies are used to make the music sound more complex. trying new instrumental arrangements, such as incorporating a jazz rhythm section into a tango orchestra.
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Which of the following is NOT true regarding use of equipment and staff for graveside service?
A) The separate charge for a graveside service is intended for those situations where there is no funeral ceremony at the funeral home or elsewhere
B) Your charge for this service does not need to include both staff services and any equipment you may provide (such as tent and chairs)
C) If your charge for a funeral ceremony normally includes a committal service at the grave following the funeral, you can continue this practice, or you may offer a separate charge for a committal service following a funeral ceremony
D) You should not list two separate charges relating to a graveside service, one for equipment and another for staff services
Your charge for this service does not need to include both staff services and any equipment you may provide (such as tent and chairs) is not true regarding use of equipment and staff for graveside service. The correct option is B.
Funeral homes that perform graveside services may bill a separate fee for this service, which may cover both staff time and supplies like a tent, chairs, and a lowering device. Following a funeral service, funeral homes might charge separately for a committal service. It is not acceptable to list two separate costs for staff and equipment related to a graveside service, though.
Funeral homes must make sure that their pricing is reasonable, open, and in accordance with all applicable laws and regulations. They also must make sure that their charges for graveside services are clearly communicated. The correct option is B.
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the pendant depicting a ruler has wings on either side of the head suggesting that the ruler was also a
The pendant depicting a ruler with wings on either side of the head suggests that the ruler was also a deity or a divine figure. The wings symbolize their connection to the divine or supernatural realm.
The pendant depicting a ruler has wings on either side of the head suggesting that the ruler was also a divine or mythical figure. The wings are often associated with divinity and immortality, so it's possible that the ruler was believed to have supernatural powers or a connection to the gods. This type of symbolism is common in ancient art and can provide important insights into the beliefs and values of the culture that produced it. Overall, the content loaded pendant is likely to be an important artifact that sheds light on the religious and political traditions of the time.
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Item37 Item 37 A ______ is a musical composition that is usually light in mood, and meant for evening entertainment.
Item 37 A refers to a particular is a musical composition that is usually light in mood, and meant for evening entertainment.
Item 37 refers to a particular type of musical composition that is often associated with evening entertainment. This musical composition is known as a serenade, and it is usually light in mood and meant to be enjoyed in a relaxed setting.
Serenades were a popular form of entertainment in the 18th and 19th centuries, and they were often performed outdoors in the evening, hence their association with nighttime entertainment. These compositions were typically written for small groups of instruments, such as a string quartet or wind ensemble, and they often featured melodic and harmonious themes that were easy to listen to and enjoy.
In addition to their entertainment value, serenades also played an important social function. They were often performed at formal events such as weddings or banquets, and they provided a way for guests to socialize and mingle in a relaxed and convivial atmosphere.
Today, serenades are still enjoyed by many people, and they continue to be an important part of the classical music repertoire. Whether performed in a concert hall or outdoors on a warm summer evening, these musical compositions offer a delightful and relaxing experience that is sure to be enjoyed by music lovers of all ages. So, if you are looking for a musical experience that is both light and entertaining, look no further than a serenade.
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the roman catholic church during the baroque period embraced instrumental music as being capable of inspiring the same sort of devotion to god as vocal music. question 11 options: true false
The statement the roman catholic church during the baroque period embraced instrumental music as being capable of inspiring the same sort of devotion to god as vocal music is true because the Catholic Church, which had declared at the Council of Trent that the arts should express religious themes and direct emotional participation in response.
The Protestant Reformation, supported the development of the Baroque style. For 1400 years, the Roman Catholic Church served as the primary producer of music, which had a religious purpose. The Church assimilated Jewish musical customs along with those from the regions of the world it spread to, such as Africa, Asia, and Europe.
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Which playing technique is featured by the strings in this short passage from the Introduction?
Playing technique is featured by the strings in this short passage from the Introduction is Pizzicato. Therefore the correct option is option A.
Pizzicato: a method in which the strings are plucked with the fingers rather than bowed, resulting in a sharp, percussive sound.
Legato: a playing method in which the notes are joined seamlessly, with no discernible difference between them.
Harmonics: a playing method in which a musician delicately taps a string at a certain position to produce a high, ethereal tone, which is often employed for special effects or to create an eerie atmosphere.
Double stops: a technique in which two strings are played at the same time, generating a chord-like effect.
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The following question may be like this:
What playing technique is featured by the strings in this short passage?
a. pizzicato
b. legato
c. harmonics
d. double stops
The scherzo, a fast, triple-meter movement, evolved from the:
The minuet and trio gave rise to the scherzo, which eventually took their place as the third movement (and sometimes the second) of symphonies, string quartets, sonatas, and other related compositions.
What is scherzo?Even though the scherzo is a rounded binary form, it is frequently performed with the accompaniment trio followed by a repetition of the scherzo, generating the ABA or ternary form, just as the minuet. Sometimes this is repeated two or more times (ABABA). The "B" theme is a trio, which differs from the second minuet of traditional suites by not always calling for just three instruments (the first Brandenburg Concerto is a prominent example). The scherzo is followed by a minuet and trio movement in this sonata, whereas most sonatas only feature one of those movements—usually a scherzo or a minuet—and never both.To learn more about scherzo, refer to:
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when worn, the buffalo-hide robe seen above would have transformed the warrior into a living representation of .
The warrior would have been a live illustration of His accomplishments when wearing the buffalo-hide cloak depicted above.
The robe was acquired by Lewis and Clark during their exploration of the western territories that the United States had just purchased with the Louisiana Purchase. President Jefferson received it. People from the Northwest Coast belonged to clans or extended families that believed they were descended from mythical creatures or animals and humans.
Since everyone has had a previous existence in the spirit world, some people have "spirit spouses." Woodland Art, sometimes referred to as Legend or Medicine Painting, is a distinctive kind of indigenous art that combines old tales and myths with modern techniques. It examines the connections between humans, animals, and plants and is full with symbolic spiritual imagery.
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What is the name of the piano player in Rick's nightclub?
Arthur "Dooley" Wilson is the piano musician at Rick's club.
What about Dooley" Wilson?In the 1942 movie Casablanca, Sam was played by American actor, singer, and musician Arthur "Dooley" Wilson. He sings the "As Time Goes By" theme from that romance drama. While touring nightclubs in London and Paris in the 1920s, Wilson, a drummer and singer, led his own band. Wilson, though a talented vocalist and musician, was unable to play the piano at a high level. Off-screen, pianist Elliot Carpenter played the piano music. Studio pianist for film, stage, live performance, and live radio with a base in Los Angeles was Jean Vincent Plummer. He appears to have performed live piano throughout the entire movie.To learn more about Dooley" Wilson, refer to:
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Karen is working with a company that produces pine furniture. She is advising them on ways to reduce the environmental cost of their products. What is a suggestion that Karen might offer?
Get the pine from a region further away from the factory.
Use a more automated process instead of hand-cutting.
Have the furniture assembled in another country.
Ensure trees were planted to replace those that are cut for furniture.
Based on the information, we can infer that the best advice Karen can give to the furniture factory is: Make sure that trees are planted to replace those that are felled for furniture.
What advice could Karen give to reduce environmental impact?In this situation, the company is having a great environmental impact on nature because it is cutting down the pine trees to make its furniture. This is going to cause deforestation in the areas where they cut down the trees and in the future the pine trees in the surrounding areas could be wiped out.
Therefore, one way to reduce this negative environmental impact would be to create their own tree planting areas. To do this they must plant the trees that they will use to make their furniture.
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Each of the pieces in the manuscript of Fanny Mendelssohn Hensel's The Year was originally prefaced by
Select one:a. a prayer.
b. a bible verse.
c. a poetic epigram and a painting.
d. a short story.
Each of the pieces in the manuscript of Fanny Mendelssohn Hensel's The Year was originally prefaced by a poetic epigram and a painting.
Each of the pieces in the manuscript of Fanny Mendelssohn Hensel's The Year was originally prefaced by a poetic epigram and a painting. This means that before each piece of music, there was a short poem and a painting that set the tone for the composition. This added an extra layer of depth and meaning to the work, and helped to create a cohesive narrative throughout the entire collection. The content loaded into the manuscript was carefully curated to provide a rich and immersive experience for the listener.
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Almost everyone in the city came to hear Paul and Barnabas at the synagogue in ______________
Serfs were treated like slaves in parts of medieval Europe with a major exception:A. Serfdom was not hereditaryB. Serfs could not be tried in local "manorial" court C. The aristocracy was required to see to the serfs' education and well-beingD. Serfs could not be fined by their lordsE. Serfs could not be sold apart from their historic lands
Serfs were treated like slaves in parts of medieval Europe with a major exception A) that serfdom was not always hereditary.
In medieval Europe, serfs were considered as the lowest class of people, and their living conditions were often miserable. They were tied to the land and required to work for their lords, but there were certain exceptions to their treatment.
One major exception A) was that serfdom was not always hereditary. In some areas, children of serfs were not automatically considered serfs themselves, and they could potentially rise in status if they were able to gain the favor of their lord or the local authorities.
This provided some hope for social mobility for the children of serfs. Another exception was that serfs could not be tried in local "manorial" courts.
These courts were run by the lords of the manor and were often seen as biased against the serfs. Instead, serfs were generally tried in the local village or town court, which was a more impartial setting.
The aristocracy was also required to see to the serfs' education and well-being in some places.
This meant that they were responsible for providing basic education, healthcare, and even housing for their serfs. While this was not always enforced or followed, it was a recognition that the lord had certain responsibilities to their serfs beyond just extracting labor from them.
Serfs could not be fined by their lords in some areas. This meant that the lords could not impose arbitrary fines or punishments on their serfs, and instead had to follow the laws of the land. This provided some protection for serfs against abusive lords.
Finally, serfs could not be sold apart from their historic lands in some areas. This meant that if a lord sold their land, the serfs who lived on that land would be sold along with it.
This prevented the separation of families and communities, which was an important protection for serfs.
In conclusion, while serfs were generally treated poorly in medieval Europe, there were some exceptions to their treatment. These exceptions varied by region and were not always enforced, but they provided some protections and recognition of the basic rights of serfs.
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T/F: The French Revolution fostered the rise of a middle-class society.
Answer:
True!
Explanation:
The Industrial Revolution produced more refined, but also more expensive, musical instruments. Nationalistic feelings inspired composers to incorporate folk songs and dances from their native lands into their works.
_____ is where the fusion of ragtime, blues, and other musics resulted in the development of jazz.
How is Oscar Acosta described in Fear and Loathing?
Oscar Acosta is described in Fear and Loathing as a "250-pound Samoan" with a shaved head and a manic energy, Acosta is a force of nature who is always ready for the next adventure.
Oscar Acosta, also known as Dr. Gonzo in Hunter S. Thompson's novel "Fear and Loathing in Las Vegas," is a larger-than-life character who embodies the excess and chaos of the counterculture movement of the 1960s.
Acosta is portrayed as a lawyer and friend of Thompson, who accompanies him on a wild drug-fueled trip to Las Vegas to cover a motorcycle race and to find the American Dream.
He is described as a "savage" who embodies the primal instincts of humanity. He is also portrayed as a drug addict, frequently using cocaine and other substances to fuel his wild behavior.
Despite his outwardly manic and aggressive demeanor, Acosta is also shown to have moments of tenderness and loyalty. He is fiercely protective of Thompson and defends him against those who seek to harm or exploit him.
Acosta is also shown to be a champion of the underdog, taking on the corrupt and powerful with his legal skills and his willingness to stand up for what he believes in.
Overall, Oscar Acosta is a complex and fascinating character who embodies the contradictions and conflicts of the counterculture movement.
He is at once a symbol of the excess and chaos of the era, as well as a representation of the hope and idealism that drove many young people to challenge the status quo and seek a new way of living.
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Which was NOT a goal expressed by Pope Urban II for the First Crusade?a. to establish peace at home by sending violent knights abroadb. to capture Jerusalemc. to reunite the Byzantine and Latin Christian churches under the command of the poped. to slay Christ's enemies wherever found, especially Jews and Muslims
The goal that was not expressed by Pope Urban II for the First Crusade was A) to establish peace at home by sending violent knights abroad. This goal is not mentioned in any of Pope Urban II's speeches or letters regarding the Crusade.
Pope Urban II's speech at the Council of Clermont in 1095 was a call to arms for Christians to reclaim the Holy Land from Muslim control.
He expressed several goals for the First Crusade, including the liberation of Jerusalem, the reunification of the Eastern and Western Churches, and the defense of fellow Christians in the East.
However, the goal of "sending violent knights abroad" to establish peace at home was not explicitly stated.
In fact, Pope Urban II's call for the First Crusade was motivated by a combination of religious, political, and economic factors. The Pope sought to increase his authority and influence over the Christian world by asserting his role as the leader of a united Christian army.
He also hoped to secure economic and political benefits for the Church by establishing Latin Christian control over the Holy Land and its trade routes.
Furthermore, while Pope Urban II did express a desire to defend Eastern Christians and liberate Jerusalem from Muslim control, he did not call for the indiscriminate slaughter of Jews and Muslims.
While there were certainly instances of violence against non-Christians during the Crusades, the Church officially condemned such actions and sought to limit their scope.
Overall, while Pope Urban II's call for the First Crusade had complex motivations and goals, the idea of A) "sending violent knights abroad" to establish peace at home was not one of them.
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