The minuet and trio gave rise to the scherzo, which eventually took their place as the third movement (and sometimes the second) of symphonies, string quartets, sonatas, and other related compositions.
What is scherzo?Even though the scherzo is a rounded binary form, it is frequently performed with the accompaniment trio followed by a repetition of the scherzo, generating the ABA or ternary form, just as the minuet. Sometimes this is repeated two or more times (ABABA). The "B" theme is a trio, which differs from the second minuet of traditional suites by not always calling for just three instruments (the first Brandenburg Concerto is a prominent example). The scherzo is followed by a minuet and trio movement in this sonata, whereas most sonatas only feature one of those movements—usually a scherzo or a minuet—and never both.To learn more about scherzo, refer to:
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Which playing technique is featured by the strings in this short passage from the Introduction?
Playing technique is featured by the strings in this short passage from the Introduction is Pizzicato. Therefore the correct option is option A.
Pizzicato: a method in which the strings are plucked with the fingers rather than bowed, resulting in a sharp, percussive sound.
Legato: a playing method in which the notes are joined seamlessly, with no discernible difference between them.
Harmonics: a playing method in which a musician delicately taps a string at a certain position to produce a high, ethereal tone, which is often employed for special effects or to create an eerie atmosphere.
Double stops: a technique in which two strings are played at the same time, generating a chord-like effect.
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The following question may be like this:
What playing technique is featured by the strings in this short passage?
a. pizzicato
b. legato
c. harmonics
d. double stops
Why does Elie say Akiba Drumer was selected for the crematoria?
In his memoir "Night", Elie Wiesel describes the experience of Akiba Drumer, a fellow prisoner in Auschwitz. According to Elie, Akiba Drumer was selected for the crematoria because he had lost his faith in God and had given up on life.
Akiba Drumer had been a deeply religious man, and had found solace and comfort in his faith during his time in the camp. However, as the days and weeks went by and the horrors of the camp continued, he began to lose hope and his faith was shaken. He could not understand how God could allow such evil to exist, and he became consumed by despair.
As a result of his despair, Akiba Drumer began to lose the will to live, and he stopped eating and taking care of himself. He became weak and sickly, and was eventually selected by the SS guards for the crematoria, where he was burned alive along with other prisoners.
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The Vikings are generally regarded as being a destructive force in European history:a. an incorrect view; they established principalities across northern Europe.b. due to raids on virtually every population center in Europe.c. because of the destruction caused to a great many monasteries throughout Europed. but this is exaggerated, they stayed mostly in Scandinavia.
The Vikings are generally regarded as being a destructive force in European history is an incorrect view; they established principalities across northern Europe. Therefore the correct option is option A.
Even though the Vikings are frequently depicted as a destructive force in European history, it would be oversimplified to argue that they were the only ones to blame for turmoil and devastation.
The truth is that the Vikings were expert traders, explorers, and colonisers who founded principalities throughout northern Europe, including in regions that would later become a part of modern-day Russia, Iceland, and Greenland.
While the Vikings did raid numerous European cities with populations, they also interacted peacefully and traded with other cultures. One cannot simply characterize the Vikings as a destructive force since their influence on European history is complicated and multifaceted. Therefore the correct option is option A.
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Major towns and cities in the High Middle Ages:a. grew exponentially after the agricultural and trade improvements of the age.b. sustained their population only through continuous immigration from the countryside.c. were built of stone and were largely impervious to fire.d. were grimly aware of crowd diseases and emphasized proper sanitation where possible.
Major towns and cities in the High Middle Ages grew exponentially after the agricultural and trade improvements of the age. Therefore the correct option is option A.
There were considerable advancements in agriculture and trade throughout the High Middle Ages, roughly from the 11th to the 13th century, including new inventions like the heavy plough, the horse collar, and the windmill, which allowed for more effective agricultural and product production.
As people moved from rural areas in search of new economic opportunities, this resulted in a rise in food production as well as the development of towns and cities. Therefore the correct option is option A.
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Once a society determines the characteristics of a social role, these characteristics cannot be changed. (True or False)
The given statement " Once a society determines the characteristics of a social role, these characteristics cannot be changed " is False because Social roles are not fixed and can change over time.
A society's understanding of a specific role can evolve based on cultural shifts, education, exposure to new ideas, and changes in beliefs and values. Social roles are often shaped by societal norms and expectations, which can vary greatly depending on the historical context and cultural background. As societies progress and adapt, social roles can also be redefined or modified to accommodate these changes. For instance, gender roles have seen significant transformations in recent years, as societies around the world have moved towards greater gender equality and acceptance of diverse gender identities.
In summary, social roles are dynamic and can change as a society evolves and reevaluates its norms and values.
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beyond being something beautiful to look at, what else can madalas inspire in people
How are women portrayed in Villareal's Pocho?
Women are portrayed in Richard Villareal's book "Pocho" in a subtle and sophisticated manner.
On the one hand, the book presents women as strong, self-reliant, and diligent workers. For instance, Felicia, the mother of the main character, puts forth a lot of effort to provide for her family and is fiercely protective of her kids. In addition, Lupe is portrayed as a smart, aspirational, and driven character who is determined to thrive in a world that frequently marginalizes women.
However, the book also shows women as weak and vulnerable to the abuse and persecution of men. For instance, Felicia's husband physically abuses Lupe while Lupe is the victim of sexual assault by her job.
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.The engraved plate beneath this painting in the art museum says ""Monet."" Therefore, the painting must be the work of Monet."A) Deductive, valid. B) Inductive, strong. C) Inductive, cogent. D) Inductive, weak. E) Deductive, invalid.
The engraved plate beneath this painting in the art museum says Monet. Therefore, the painting must be the work of Monet. Which is deductive and invalid.
This argument is an example of deductive reasoning, which involves drawing a conclusion based on a set of premises. However, the argument is invalid because the conclusion does not necessarily follow from the premise. Just because the painting is attributed to Monet does not necessarily mean that he is the author of the painting. It is possible that the painting is a copy or forgery, or that the attribution to Monet is incorrect. Therefore, the argument is invalid.
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Each of the pieces in the manuscript of Fanny Mendelssohn Hensel's The Year was originally prefaced by
Select one:a. a prayer.
b. a bible verse.
c. a poetic epigram and a painting.
d. a short story.
Each of the pieces in the manuscript of Fanny Mendelssohn Hensel's The Year was originally prefaced by a poetic epigram and a painting.
Each of the pieces in the manuscript of Fanny Mendelssohn Hensel's The Year was originally prefaced by a poetic epigram and a painting. This means that before each piece of music, there was a short poem and a painting that set the tone for the composition. This added an extra layer of depth and meaning to the work, and helped to create a cohesive narrative throughout the entire collection. The content loaded into the manuscript was carefully curated to provide a rich and immersive experience for the listener.
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Performers would often speak toward the audience during this period, rather than to the character they were addressing on stage, since the theatres were lit as well as the stage and the actors wanted hold on to the audience's attention.
Since the theatres were illuminated from above as well as from the stage during this period, performers frequently spoke to the audience rather than the character they were addressed on stage. This was especially common in English 18th and 19th-century theatre.
What was theatre like back then?The term "nineteenth-century theatre" refers to a broad variety of developments in the theatrical traditions of both Europe and the United States during this time. Early 19th-century acting techniques were prone to exaggerated movements, extravagant effects, spectacular drama, physical humor and puns, and outrageous clothes. Melodrama, which would come to dominate theatre in the 19th century, was first presented in popular drama by what were known as "boulevard theatres," or public theatres. Romantic drama was made possible by melodrama's ability to draw huge audiences and popularise deviations from Neoclassicism. Vaudeville was the decade's most well-liked kind of entertainment. A vaudeville show's main draw was variety; each performance included nine to twelve acts that included comedy, daredevilry, dramatic plays, and singing.To learn more about nineteenth-century theatre, refer to:
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A two-part collection of preludes and fugues, one in each major and minor key, basic to the repertoire of keyboard players today, is Bach's . . .
A two-part collection of preludes and fugues, one in each major and minor key, basic to the repertoire of keyboard players today, is Bach's "The Well-Tempered Clavier" (Das Wohltemperierte Klavier in German). It was completed in two volumes, the first in 1722 and the second in 1742. The collection is considered a masterpiece of Western music and has been highly influential in the development of Western classical music.
This section of the course considers three topics that seem at first quite disconnected: religion, food, and the processes of colonialism and globalization. Go to your kitchen and look for objects that connect all these themes. Trust me, they are there! Everything in there came from somewhere else and most were touched by many hands along the way. Think about where the food, packaging materials, appliances, decorations, and other objects were made, how they came to be there, and how they connect to other aspects of your life
The prompt is asking to explore the connections between religion, food, colonialism, and globalization through objects found in the kitchen.
The kitchen is a place where many different aspects of life intersect, including culture, history, and social dynamics. By examining the origins of the objects found in the kitchen, one can trace the complex web of connections that link religion, food, colonialism, and globalization.
For example, spices and ingredients used in cooking may have been brought to the kitchen through the colonial trade routes, connecting the kitchen to larger historical processes of imperialism and globalization. Similarly, religious dietary restrictions may influence the types of food and utensils found in the kitchen, highlighting the connections between religion and food. Overall, the kitchen serves as a microcosm of the wider world, highlighting the ways in which different aspects of life are interconnected.
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Look at the painting The Lictors Bring to Brutus the Bodies of His Sons by Jacques-Louis David (1789). A painting by Jacques-Louis David titled The Lictors Bring to Brutus the Bodies of His Sons.It shows men entering a home carrying a stretcher with a dead man on it. In the house, Brutus sits in the shadows, turned away from the stretcher. His wife and 2 daughters appear shocked and overcome with grief. The most likely message this painting sends to French citizens is that one must be prepared to sacrifice their own children to preserve France. loyalty to one’s country stops short of sacrificing one’s own children. brutality is an integral part of revolution and the Reign of Terror. no one is immune to death, not even the leaders of the revolution.
The portray The Lictors deliver to Brutus the our bodies of His Sons through Jacques-Louis David (1789) depicts a scene from Roman records in which a father Brutus, orders the execution of his very own sons for plotting against the nation.
The portray was created for the duration of the French Revolution, and its message can also have been interpreted in a political context. The portray suggests that the innovative leaders and the citizens of France must be prepared to make sacrifices for the best of the country, despite the fact that it approach sacrificing their lives.
The portray also implies that no one is immune to loss of life, now not even the leaders of the revolution. Therefore, the message of the portray is considered one of patriotism, sacrifice, and the tough realities of revolution.
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Answer:
one must be prepared to sacrifice their own children to preserve France.
Explanation:
The answer above is correct.
Woman in a Coffeehouse, Madame Ginoux in the Cafe de la Gare in Arles, Paul Gauguin, 1888.
"Madame Ginoux in the Café de la Gare in Arles" is a painting created by the French artist Paul Gauguin in 1888. The painting is of a women who is believed to be Marie Ginoux, the owner of the café.
The painting depicts a woman seated in a café, with a red and white scarf draped over her shoulders, and a yellow and green hat on her head.
Gauguin's painting is a prime example of his distinct style, which blends elements of Post-Impressionism and Symbolism. The composition of the painting is striking, with the bright colors and bold brushstrokes giving the image a sense of energy and movement.
The woman in the painting, Madame Ginoux, is portrayed with great sensitivity and care. Gauguin has captured her facial features and body language in a way that conveys her personality and character. Her direct gaze and composed expression suggest a sense of inner strength and resilience.
Overall, "Madame Ginoux in the Café de la Gare in Arles" is a beautiful and evocative painting that captures the essence of its subject and its setting. It is a testament to Gauguin's skill as an artist and his ability to capture the spirit of a time and place in his work.
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what style of portraiture that raphael uses in the small cowper madonna was likely influenced by leonardo? (above) a. the theme b. the characters c. the tilt of the head, reflecting a pyramid shape d. vanishing point and orthogonals please select the best answer from the choices provided
Answer:
c) The tilt of the head, reflecting the pyramid shape.
Your classmate Winston wants to work in the art world. He loves critiquing works of art and
wants to combine this with his love of museums. His ideal job would be to critique art so
that he can pick out good pieces to add to museum collections. What career do you think
Winston would enjoy most?
art consultant
art appraiser
art teacher
museum curator
Based on Winston's interests and career goals, it sounds like he would enjoy working as a D. museum curator.
What do museum curators do ?Museum curators are responsible for managing and developing museum collections, including selecting and acquiring new works of art, developing exhibitions and displays, and conducting research and analysis on the artworks in their collections.
They also play a role in interpreting and presenting artworks to the public, which would allow Winston to share his passion for art with others.
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mary queen of scots was an avid golfer. she is portrayed in the above painting playing golf at st. andrews. looking at this picture what is an incorrect portrayal? group of answer choices her golf grip the dress, women played in pants woman could not or were not allowed to play golf she was blonde
Mary, Queen of Scotland, loved to play golf. In the painting above, she is seen playing golf at St. Andrews. Looking at this photo, the portrayal of her golf grip and attire is inaccurate. Option 1 is Correct.
During her reign in Scotland around the middle of the 16th century, Mary Queen of Scots is known to have played golf. There is no proof that women were prohibited from playing golf or that Mary Queen of Scots was a blonde; the sport was popular among both men and women in Scotland at the time.
Mary Queen of Scots playing golf while wearing the attire represented in the image, however, is doubtful because it would have been uncomfortable and restrict her movement. Option 1 is Correct.
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Correct Question:
Mary queen of scots was an avid golfer. she is portrayed in the above painting playing golf at st. andrews. looking at this picture what is an incorrect portrayal? group of answer choices
1. her golf grip the dress
2. woman could not or were not allowed to play golf
3. she was blonde
4. women played in pants
The tonality of the fourth movement of Symphony No. 5 in C Minor starts in:
Answer: Major
Explanation: It starts in Major, then has a small section of minor before going back into major again.
How is Oscar Acosta described in Fear and Loathing?
Oscar Acosta is described in Fear and Loathing as a "250-pound Samoan" with a shaved head and a manic energy, Acosta is a force of nature who is always ready for the next adventure.
Oscar Acosta, also known as Dr. Gonzo in Hunter S. Thompson's novel "Fear and Loathing in Las Vegas," is a larger-than-life character who embodies the excess and chaos of the counterculture movement of the 1960s.
Acosta is portrayed as a lawyer and friend of Thompson, who accompanies him on a wild drug-fueled trip to Las Vegas to cover a motorcycle race and to find the American Dream.
He is described as a "savage" who embodies the primal instincts of humanity. He is also portrayed as a drug addict, frequently using cocaine and other substances to fuel his wild behavior.
Despite his outwardly manic and aggressive demeanor, Acosta is also shown to have moments of tenderness and loyalty. He is fiercely protective of Thompson and defends him against those who seek to harm or exploit him.
Acosta is also shown to be a champion of the underdog, taking on the corrupt and powerful with his legal skills and his willingness to stand up for what he believes in.
Overall, Oscar Acosta is a complex and fascinating character who embodies the contradictions and conflicts of the counterculture movement.
He is at once a symbol of the excess and chaos of the era, as well as a representation of the hope and idealism that drove many young people to challenge the status quo and seek a new way of living.
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Which term refers to the systematized melodic/rhythmic patterns in capoeira music?
The term that refers to the systematized melodic/rhythmic patterns in capoeira music is toques.
In capoeira, the toques are the specific rhythms and melodies played on the berimbau, a musical instrument made of a single string attached to a wooden bow. The toques are an essential part of capoeira music and serve to set the pace and style of the game.
Each toque has its own distinct rhythm and is associated with a particular type of capoeira game or movement. The toques can also convey messages or signal changes in the game, such as the end of a round or a shift in the tempo.
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The gospel accounts of Jesus's life:A. were written before Paul's letters;B. contain a description of Jesus's miracles, but not his death and resurrection;C. form (when combined with the Hebrew Torah) the Christian New Testament;D. were probably written between 70 and 100 c.e;E.contain the historical facts of Jesus's life but do not include his miracles.
The gospel accounts of Jesus's life D. were probably written between 70 and 100 CE.
The gospels not only contain historical facts of Jesus's life but also document his miraculous deeds, showcasing the divine nature of his mission. These accounts of Jesus's miracles serve to strengthen the faith of believers and illustrate his divine power. Furthermore, the gospels detail the events leading to Jesus's crucifixion, death, and resurrection, which are central to Christian theology and belief.
When combined with the Hebrew Torah, the gospels form a part of the Christian New Testament, which is the primary text for Christians worldwide. The New Testament is composed of various writings that were selected and compiled to form a cohesive narrative of Jesus's life, teachings, and the establishment of the Christian faith.
These accounts, along with the Hebrew Torah, form the Christian New Testament, providing a comprehensive understanding of Jesus's life and the foundations of the Christian faith. Therefore, the correct option is D.
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The gospel accounts of Jesus's life:
A. were written before Paul's letters;
B. contain a description of Jesus's miracles, but not his death and resurrection;
C. form (when combined with the Hebrew Torah) the Christian New Testament;
D. were probably written between 70 and 100 c.e;
E.contain the historical facts of Jesus's life but do not include his miracles.
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What is the term for a painting technique that tells a story in three separate scenes all within the same painted surface?
Answer:
A triptych is an artwork made up of three pieces or panels. Often used to impart narrative, create a sequence, or show different elements of the same subject matter.
Explanation:
Which of these artworks was not made as propaganda to supplement the power of the ruler it represents?
a. all of these were propagandistic artworks
b. The Armada Portrait
c. Mao Zedong's portrait at Tiananmen
d. Napoleon Crossing the Alps
e. Stela of Hammurabi
These were all propaganda pieces of art that were not created to increase the authority of the rulers they depict. Option a is correct.
The preamble indicates that Shamash chose Hammurabi to convey the rules to the people, and a sculpture at the top of the stele shows Hammurabi receiving the laws from Shamash, the Babylonian deity of justice.
Picasso's massive mural-sized painting Guernica, which was on display to millions of visitors at the Paris World's Fair in 1937, served as an expression of his fury against war. Since then, it has emerged as the most potent condemnation of war in the twentieth century, and it still seems incredibly timely today. Option a is correct.
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how does the harvard debater’s word choice indicate his perspective/view of these events (tone)?
The word choice of the Harvard debater reveals his perspective on these events since it conveys assurance and a forceful tone. The words irrefutable, urgent, etc are employed.
What is the main takeaway from the ]great debater?The Great Debaters chronicles the rise to fame of Professor Melvin Tolson and the debate team he led at Wiley College, a small black college in Marshall, Texas, in 1935. The team first defeated rival black colleges before competing against teams from white universities. However, viewers will be glad to hear that the movie is not like a two-hour presidential debate.
Instead, the subjects in the comparatively brief discussion scenes provide the protagonists a chance to express themselves strongly about concerns like welfare or the integration of higher education that, to them, are not only intellectual debates but rather problems with very real implications for their lives.
The most glaring flaw in the movie is that the Wiley team is never seen having to defend a viewpoint that conflicts with Tolson's politics, who is regarded as a radical and who, up to the pivotal competition versus Harvard, draughts all of the team's arguments.
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What does Travis ask for when he comes out of the bathroom
The legendary alto saxophonist who co-founded bebop was:
The legendary alto saxophonist who co-founded bebop was Charlie Parker, also known as "Bird".
Parker was born on August 29, 1920, in Kansas City, Missouri, and grew up in a musical family. He began playing the saxophone at an early age and was heavily influenced by jazz musicians such as Lester Young and Art Tatum.
In the 1940s, Parker emerged as a leading figure in the development of bebop, a new style of jazz characterized by faster tempos, complex harmonies, and a greater emphasis on improvisation.
Along with trumpeter Dizzy Gillespie and other musicians, Parker performed at clubs in New York City, including Minton's Playhouse, where they developed and refined the sound of bebop.
Parker's playing was marked by his virtuosic technique, inventive improvisations, and emotional depth. His compositions, such as "Confirmation" and "Now's the Time," are now considered jazz standards.
He was a master of the saxophone, capable of playing with incredible speed and agility, as well as with great sensitivity and expressiveness.
Unfortunately, Parker's life was plagued by drug addiction, which led to his premature death at the age of 34 in 1955. Nevertheless, his legacy lives on, and his contributions to jazz and to the development of bebop remain significant to this day.
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What does Shakespeare's Hamlet mean when he says the following? "Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue; but if you mouth it, as many of your players do, I had as lief the town crier spoke my lines."
In this quote from Shakespeare's Hamlet, the character of Hamlet is giving a piece of advice to the actors who will be performing his play. Hamlet is essentially telling them to speak the words of the play clearly and precisely, without over-emphasizing or exaggerating any particular sounds or syllables
Hamlet is specifically cautioning the actors against "mouthing" their lines, which refers to a style of acting where the words are pronounced in an overly-dramatic or exaggerated manner. This style of acting was common in Shakespeare's time, and Hamlet is suggesting that it detracts from the meaning and impact of the words themselves.
Ultimately, Hamlet is expressing his desire for the play to be performed with skill and sensitivity, allowing the language and emotions of the characters to shine through. He wants the audience to be moved by the story and the performances, rather than distracted or put off by poor acting technique. In this way, Hamlet is not just a character within the play, but also a kind of meta-theatrical commentator on the art of performance itself.
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What does Shakespeare's Hamlet mean when he says the following? "Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue; but if you mouth it, as many of your players do, I had as lief the town crier spoke my lines." What Hamlet means is:
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artistic metaphors and symbols are: group of answer choices elements which represent some other concept need to be learned all possible answers are correct elements which are descriptive of something else culturally determined
Artistic metaphors and symbols are elements which represent some other concept.
The correct option is A.
They are often used by artists to convey deeper or hidden meanings within their work. These symbols may be culturally determined or have specific meanings in certain contexts, but they are not always something that needs to be learned as they can often be interpreted intuitively.
Artistic metaphors and symbols are elements used by artists to represent something else within their work. For example, a common artistic metaphor is using flowers to represent beauty or growth, as flowers themselves are often associated with these ideas. Similarly, a symbol like a heart is often used to represent love, despite being an organ that has no inherent connection to the concept. The correct option is A.
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What changes did Astor Piazzolla introduce to tango to adapt it for performance in the concert hall?
Astor Piazzolla introduce the use of improvisation and jazz harmonies in the music to tango to adapt it for performance in the concert hall.
The traditional tango was changed by Argentine composer and bandoneons Astor Piazzolla by including elements of jazz and classical music, among other styles. He altered the traditional tango style in a number of ways to make it suitable for performances in concert halls.
Jazz harmonies and improvisation are used in the music, instead of the traditional tango structure of verse and refrain, utilizing extended forms like suites and variations. more intricate rhythms and harmonies are used to make the music sound more complex. trying new instrumental arrangements, such as incorporating a jazz rhythm section into a tango orchestra.
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Which instrument is not heard until the fourth movement of Symphony No. 5 in C Minor?
Answer:
Three trombones.