The following is true for strophic form :
- it repeats the same music for each stanza
- it is almost always used in folksongs
- it makes a song easier to remember
Strophic form is a song format in which all verses or stanzas of the text are sung to the same melody. It is also known as verse-repeating form, chorus form, AAA song form, or one-part song form.
Songs in strophic form (often shortened AAA since the same fundamental material, A, is repeated) are called strophes, and the basic unit that is replicated is called a strophe. Strophic form is more prevalent in early rock-and-roll (1950s-1960s) than in the 1970s and beyond.
Hymns and folk songs are two examples of strophic form.
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aeschylus and sophocles differed in the blank in their dramatizations of the electra story that shows the latitude dramatists have in fitting a story to their artistic purpose.
Answer:aeschylus and sophocle
Explanation:
Question: -
All woven fabrics are made from fibers, which have been
A. spun into filaments.
B. bulked and crimped.
C. cut into short lengths.
D. twisted into yarn.
Answer: D. Twisted into yarn ---- for PF students
All woven fabrics are made from fibers, which have been D. twisted into yarn.
What are woven fabrics?All woven fabrics are not necessarily made from fibers that have been cut into short lengths. In fact, many woven fabrics are made from fibers that are left in their natural, long lengths.
The fibers used to make the threads for a woven fabric can be either short or long. Short fibers, also known as staple fibers, are fibers that have been cut to a specific length and are generally easier to spin into yarn.
Woven fabrics are made by interlacing two sets of threads together: the warp threads, which run lengthwise, and the weft threads, which run crosswise. The fibers used to make these threads can be either natural, such as cotton or wool, or synthetic, such as nylon or polyester.
So, while it is true that some woven fabrics are made from fibers that have been cut into short lengths, it is not true that all woven fabrics are made this way.
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Which of the following type of worker is not covered in the contract of the American Federation of Musicians (AFM) labor union?
Answer:
Composer
Explanation:
Composers are not covered in the contract of the American Federation of Musicians (AFM) labor union.
select all the musical qualities of the opening passage of the great gate of kiev. multiple select question. the dynamics are forte and stately. the theme is played by the strings. the rhythms are longer and sustained. it is a processional theme.
Option (4) is Correct. The opening portion of Kiev's Great Gate has a processional motif as one of its musical characteristics.
Opera is a type of theatre in which the music and singing are used to primarily or exclusively express the drama. Opera is typically linked to the Western classical music history and first appeared in Italy about the year 1600.
Many spoken theatre aspects, including staging, costumes, and acting, are used in opera. Piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, bass drum, cymbals, triangle, strings, and chorus make up the instrumentation. Four movements totaling 65 minutes in length. A good example of program music is Smetana's The Moldau, which features various sequences involving the biggest river in Bohemia.
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Correct Question:
Select all the musical qualities of the opening passage of the great gate of kiev. multiple select question.
1. the dynamics are forte and stately.
2. the theme is played by the strings.
3. the rhythms are longer and sustained.
4. it is a processional theme.
A long take is defined as:
an uninterrupted shot that lasts a minimum of two minutes
a shot that serves as its own sequence (or scene)
an unusually long uninterrupted shot, relative to the other shots within the same film
an uninterrupted shot that is unusually long in comparison to other films directed by the same director
C. an unusually long uninterrupted shot, relative to the other shots within the same film.
during the_____ phase of romantic relationship deterioration, individuals go around and around in their heads about whether or not they want to end the relationship.
The correct answer is grave dressing phase of romantic relationship deterioration, individuals go around and around in their heads about whether or not they want to end the relationship.
The second stage, referred to as dyadic, starts when one partner is confronted by the other and dissatisfied. Many complaints are made at this point by the partner who started the breakup; frequent objections include a partner's dedication to partnerships. Loss of trust, inadequate communication, lack of respect, a difference in priorities, and a lack of intimacy are the primary causes of relationship failure. This article explores the reasons why each could lead to a breakup. Some couples who feel that passionate love would continue forever become disillusioned and split ways during the second stage of a relationship, which is a power struggle. Later, they may learn that the romance keeps fading no matter what kind of relationship they are in.
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The idea that direct experience with an object, idea, or person increases our overall preference for it. True or False
The idea that direct experience with an object, idea, or person increases our overall preference for it is true because of social behaviour idea. Way of giving to the elderly or a person with a disability is a social behaviour.
Social behaviour is referred to all behaviour that influenced by other members of the same species. It affects our different factors like age, health, illness. Linving in different social groups beneficial for many species that resulting in increased survival and progression of brain development abilities.
The idea of social behaviour is simple attraction between individuals to life of complex socities characterized by division , cooperation and reproduction of a relative few.
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TRUE/FALSE. you should never use custom objects in combination with any alternate solutions such as crm extensions or the timeline api.
This assertion is false.
Once you've got defined your customized object, you can create and edit houses for your customized object in HubSpot. Score and File property discipline kinds are now not accessible for custom objects.
You can additionally set up which fields appear and are mandatory when a consumer creates a new custom object record.
What is an example of a custom object in Salesforce?For example, a courier organisation can create a custom object to store the agenda and dispatch small print for each and every week. So these objects shop the data that is unique to the business. The customized objects can also have custom fields along with the fashionable fields available in Salesforce.
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https://brainly.com/question/14504929#SPJ4many compositions from the ancient world were preserved, which allowed members of the florentine camerata to imitate ancient music.
Due to the abundance of preserved ancient works, the Florentine Camerata was able to perform music from antiquity. The claim is untrue.
How did the Florence Camerata attempt to reenact Greek tragedies?Representatives of the Florentine Camerata, a group of musicians, poets, and thinkers that included Galileo's father, tried to recreate traditional Greek tragedy by putting theater to music since they thought it should be sung rather than spoken.
What musical goals did the Florence Camerata have?The Camerata's musical innovations helped to create the stile recitativo while advocating a rebirth of the Greek striking way. It made it easier for the creation of opera and dramatic music in this fashion.
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In the context of social networking, brand communities are
Answer:
A brand community is a “specialized, non-geographically bound community, based on a structured set of social relations among admirers of a brand"
Suppose that a painting contained words with no apparent relevance to the scene depicted. The passage suggests that in discussing this painting, the passage author would be most likely to:
A. assume that the artist intended to puzzle the viewer.
B. interpret the scene on the basis of the words.
C. interpret the words on the basis of the scene.
D. discuss the scene without reference to the words.
Option c is Correct. Let's say a picture had words in it that didn't seem to relate to the scene it showed. The line implies that the author would most likely: Interpret the phrases based on the scene when discussing this painting.
However, when looking at the Louvre picture, the viewer finds it challenging to understand the inscription's literal, linguistically correct, significance. The ego in the sentence can appear to allude to the tomb itself if there isn't a death's head present. But attributing the remarks to the individual who is interred there is far more logical. In 99 percent of all epitaphs, this is true.
Thus, Poussin himself invites—nearly compels—the viewer to misinterpret the inscription by associating the ego with a deceased person and by connecting the et with ego rather than with Arcadia, all while making no verbal changes to the text. We can say that those who, influenced by the Louvre painting, chose to translate the phrase Et in Arcadia ego as "I, too, lived in Arcady" rather than as "Even in Arcady, there am I," did violence to Latin grammar but justice to the meaning of Poussin's art. The development of his pictorial vision had outgrown the significance of the literary formula.
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Correct Question:
Poussin had come to Rome one or two years after Guercino had left it. And a few years later (presumably about 1630), he produced the earlier of his two Et in Arcadia ego compositions. Being a classicist, Poussin revised Guercino’s composition by adding the Arcadian river god Alpheus and by transforming the decaying masonry into a classical sarcophagus. But in spite of these improvements, Poussin’s picture does not conceal its derivation from Guercino’s. In the first place, it retains to some extent the element of drama and surprise: The shepherds approach as a group from the left and are unexpectedly stopped by the tomb. In the second place, there is still the actual skull, placed upon the sarcophagus above the word Arcadia, although it has become quite small and inconspicuous and fails to attract the attention of the shepherds, who seem to be more intensely fascinated by the inscription than they are shocked by the death’s-head. After another five or six years, however,
Here, then, we have a basic change in interpretation. The Arcadians are not so much warned of an implacable future as they are immersed in mellow meditation on a beautiful past. In short, Poussin’s Louvre picture no longer shows a dramatic encounter with Death but a contemplative absorption in the idea of mortality. We are confronted with a change from thinly veiled moralism to undisguised elegiac sentiment.
When read according to the rules of Latin grammar (“Even in Arcady, there am I”), the phrase had been consistent and easily intelligible as long as the words could be attributed to a death’s-head and as long as the shepherds were suddenly and frighteningly interrupted in their walk. These conditions are manifestly true of Guercino’s painting, and they are also true, if in a considerably lesser degree, of Poussin’s earlier picture. When facing the Louvre painting, however, the beholder finds it difficult to accept the inscription in its literal, grammatically correct, significance. In the absence of a death’s-head, the ego in the phrase might seem to refer to the tomb itself. But it is infinitely more natural to ascribe the words to the person buried therein. Such is the case with 99 percent of all epitaphs. Thus Poussin himself, while making no verbal change in the inscription, invites, almost compels, the beholder to mistranslate it by relating the ego to a dead person and by connecting the et with ego instead of with Arcadia. The development of his pictorial vision had outgrown the significance of the literary formula, and we may say that those who, under the influence of the Louvre picture, decided to render the phrase Et in Arcadia ego as “I, too, lived in Arcady,” rather than as “Even in Arcady, there am I,” did violence to Latin grammar but justice to the meaning of Poussin’s art.
Suppose that a painting contained words with no apparent relevance to the scene depicted. The passage suggests that in discussing this painting, the passage author would be most likely to:
A. assume that the artist intended to puzzle the viewer.
B. interpret the scene on the basis of the words.
C. interpret the words on the basis of the scene.
D. discuss the scene without reference to the words.
In twentieth-century music ______.
string players are sometimes called on to use the wood instead of the hair on their bows, percussion instruments have become very prominent and numerous, dissonance has been emancipated
In twentieth-century music string players are sometimes called on to use the wood instead of the hair on their bows, percussion instruments have become very prominent and numerous, dissonance has been emancipated.
What is music?Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content.
In twentieth-century music, string players frequently use the wooden portion of the bow to produce certain sound effects in music. Additionally, discordant noises have been emancipated . One of the earliest instances of this emancipation is the twelve-tone approach. In twentieth-century music, the usage of percussion instruments frequently plays a significant role.
Therefore, all the options are related to the twentieth-century music.
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If you purchase a song and then recognize that it is appropriating an earlier work, you are not legally obligated to stop listening, but are you obligated ethically? Explain your reasoning?
The correct answer is legally obligated If you purchase a song and then recognize that it is appropriating an earlier work.
It is unethical to use someone else's intellectual property without their consent for one's personal advantage. Appropriation, however, is more difficult. Appropriation can refer to appropriating someone else's concepts, symbols, sounds, or even identity. In addition to the legal considerations, some people outside the music business consider sampling to be theft or a lack of creativity in creation. However, sampling is not stealing. The worst case scenario of improper usage is copyright infringement, which is inherently distinct from stealing. Therefore, unless you have the owner's permission, you cannot assert copyright on another person's work, regardless of how much you alter it. Check out Circular 14, Copyright Registration for Compilations and Derivative Works.
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music that features a reciprocal exchange among traditions often resulting in cross-breeding and regenerative new musical forms.
The phrase "global performance" describes performances that involve a reciprocal interchange across traditions, which frequently results in cross-breeding and regenerating new forms that are suited to large audiences all over the world.
Song Cycle is the solution. Song cycle is not a category of programme music since it refers to the entire song performed simultaneously or as a unit. Symphonic poems, concert overtures, and incidental music, on the other hand, are all examples of programme music. Due to the fact that they are created to accompany vocal or stage acts, opera, ballet, and Lieder might also be tangentially regarded as programme music. A subgenre is sometimes referred to as a genre's style. Over 1,200 distinct musical subgenres have emerged as a result of the 20th century's widespread use of popular music.
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Which of the following was the first feature-length film with prerecorded music and spoken dialogue?
The Jazz Singer in 1927
The Jazz Singer in 1927 was the first feature-length film with prerecorded music and spoken dialogue.
The Jazz Singer is a 1980 American musical drama movie that was produced by Jerry Leider and directed by Richard Fleischer. The movie, in which Neil Diamond makes his acting debut alongside Sir Laurence Olivier and Lucie Arnaz, is about a young musician who must decide between adhering to tradition and chasing his aspirations of becoming a pop artist.
It is the first full-length motion picture with synchronized singing and speaking, as well as a recorded music score. With its premiere, the silent film era was effectively over and sound films began to dominate the box office. Warner Bros. produced it.
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collagraph printing is different to relief or intaglio methods, because: question 9 options: the artist builds up rather than cuts into the surface that is to be inked the artist cuts into rather than builds up the surface that is to be inked it is made with stone not wood it is a digital process none of the other answers
Collagraph printing is different to relief or intaglio methods because the artists builds up rather than cuts into the surface that is to be linked with the methods.
Collagraph printing is made by glueing the different materials with cardboard and make a designing or creating a kind of collage. Examples of some materials used in collagraph printing such as carborundum, sandpapers, textiles, bubble wrap, leaves and grass.
Intaglio printing method is opposite of relief painting because in this printing is done from ink that is below the surface of the plates. It is used for banknotes, passports and stamps of postage.
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select all the ways in which romantic composers expressed nationalism in their music. multiple select question. folksongs history of foreign lands legends dances
The romantic composers expressed nationalism in their music through dances, folksongs, and legends. The correct answer is A, C and D.
How did composers use their music to express their musical nationalism?Folk music traditions and musical nationalism are very different. Romantic nationalist composers typically use folk music from their own country as inspiration for their works, evoking a strong sense of place in the listener. These components might include, among others:
Folk songsFolk performance techniquesFolk rhythmsHarmonic idiomThe perceived "homogenized" tone of European classical music by 17th and 18th century artists like Beethoven and Mozart gave rise to musical nationalism. The goal of nationalist composers was to link their works to political movements. It was a very visible and political approach for many composers to promote their country's cultural legacy (including legends, music, and dancing) via music.
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as diverse communities have begun to make their voices heard, the need for new designs and concepts has surfaced. deaf spaces are one of the results of this trend. compare and contrast the different needs of hearing and deaf people in terms of how they use and interact with their space and other people in it.
The different requirements that hearing individuals and persons who are deaf have in terms of how they use and interact with their environment and other people in it. a few examples a higher sense of self. a sense of historical pride. Respect for sign language and its use.
Members are given a special means of expression through ASL, a spatial and visual language that emphasizes hands, faces, bodies, and eyes but does not use sound. This community's members are united by a shared history, set of principles, and set of experiences. The culture that is made up of Deaf people that is based on sign language, values, customs, and behavioral norms unique to the Deaf community is known as Deaf culture. It serves as the Deaf community's hub.
According to O'Banion, "Deaf culture is vital because it allows people to be who they are and live in a way that is particular to them. Don't just concentrate on someone's ears; there is more to a person than whether or not they can hear. His works of art may be primarily concerned with the physical and cultural aspects of being Deaf; they may also incorporate metaphors and viewpoints from the Deaf community as well as Deaf insights into the natural and cultural world, the spiritual world, and daily life. Colors and textures with strong contrasts are frequently used in De'VIA art.
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select all the statements about gustav mahler's childhood and early musical education. multiple select question. mahler was a composer and pianist from an early age. mahler grew up in vienna and was influenced by court culture and the influx of international musical styles. as a teenager, mahler moved to berlin to attend the conservatory. mahler grew up in a small town and was influenced by local peasant culture.
Mahler grew up in a small town and was influenced by local peasant culture
- Mahler was a composer and pianist from an early age
So the correct answer are option A and B.
Beginnings in Squalor, 1860–1875: Mahler begins piano lessons at the age of six. He is the second of 14 children born into a German-speaking Jewish family. The loss of eight of his siblings when they were still young, as well as the death of his brother Otto in 1895, were tragedies that forever changed his outlook on life and his creative output. He was the second of 14 kids born to a Jewish distillery owner. It was clear that his parents were a bad combination. Mahler, a thoughtful child, remembered their contentious fights. Early on, because six of Mahler's siblings died while they were young, death was a constant in the family.
It was well known that Mahler struggled with anxiety, was cynical, and was fascinated with death. He enjoyed swimming and mountain hiking.
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Either classical culture originated in Greece, or it originated in Egypt. Classical culture did not originate in Egypt. Therefore, classical culture originated in Greece.
This argument is deductive in nature. 12. Either Egypt or Greece is where classical culture first emerged. Egypt was not the birthplace of classical culture.
Which societies are considered classics?The study of the ancient Greeks and Romans is referred to as "classics." Originally used only to refer to literary writings, the term is now used to refer to all areas of the discipline, including demographics, archaeology, philosophy, and art history.
When did the classical era begin?Classical antiquity, often known as the Franco world or the classic era, classical period, or classical age, is the period of human history that spans from the eighth century BC to the fifth century AD and is centered on the Mediterranean Sea.
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Describe the following steps to racial justice identified by Eric Yamamoto:-Recognition-Responsibility-Reconstruction-Reparations
Identify the following steps Eric Yamamoto identified for racial justice: —The following list of recognition, responsibility, reconstruction, and reparations:
What makes recognition so crucial?Recognizing employees' contribution to the achievement of their teams and the organization as a whole helps them understand how much their employers value them. This is particularly crucial as organizations grow or change. Because it makes them confident in their service to the organization, employees are urged to continue the good work.
Briefing:Recognition: acknowledging the harm racism has caused.
Recognizing that someone is accountable for the injuries caused to racial groups
Reconstruction is the process of making amends for harm done to racial groupings.
Reparations: mending damages and giving compensation for historical wrongs committed against racial groups.
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select all the characteristics of mendelssohn's personality that are reflected in his music. multiple select question. deep melancholy elegance balance spontaneity
Option (b, c) are Correct. The traits of Mendelssohn's personality that are mirrored in his music are elegance and balance.
It incorporates motives (slices of themes) with fresh emotional connotations; modulations using a variety of keys; and a combination of motives (fragments of themes). One such nationalist composer is Antonin Dvorak, whose corpus of work pays homage to numerous nationalities. An illustration of a nationalist romantic composer is Antonin Dvorak.
Exoticism was a Romantic fascination with music from other countries, just as nationalism demonstrated a concern with the composer's own national background. The Arabian Nights-inspired Scheherazade by Rimsky Korsakov is an often cited illustration of this approach. The traditional forms and rules were still used by conservative Romantic composers. Conservatism in Romantic music is exemplified by composers like Schubert, Mendelssohn, and Brahms. Full Romantic composers exhibited greater originality and creativity in the structure and presentation of their works.
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Correct Question:
Select all the characteristics of Mendelssohn's personality that are reflected in his music. multiple select question.
1. deep melancholy.
2. elegance.
3. balance.
4. spontaneity.
FILL IN THE BLANK. the first public showing of a motion picture occurred when___invited a group of friends to a cafe to watch this film of a train entering a station
The correct answer is December 1895. invited a group of friends to a cafe to watch this film of a train entering a station.
The Lumière brothers in Paris, France, were the first to show projected moving pictures to a paying audience in December 1895. They employed a creation of their own, the Cinématographe, which combined the functions of a camera, a projector, and a film printer. The Cinematographe was shown to the public in March 1895, and their first movie, La Sortie des usines Lumière à Lyon (Workers Leaving the Lumière Factory), which lasted 46 seconds, was shown. The Roundhay Garden Scene is the world's oldest motion picture still in existence that features continuous, real-world activity. Louis Le Prince, a French inventor, is the short film's director. Even though it lasts for barely 2.11 seconds, it counts as a movie.
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which answer correctly names the notes on the staff from left to right? question 12 options: a g f f e d d c b c b a
The names of notes on the staff from left to right f e d . In a music staff there are five lines and four spaces in a phrases. There are seven letters that make up the music alphabet.
In music staff there is a ledger lines element of music notation extends the staff upward and downward direction. Each lines and spaces of teh staff correspnding to a musical pitch that is determined by the clef.
A,B,C,D,E,F,G are seven letters of alphabet which is named after musics notes. The two clefs that is to be firstly used by the treble clef and bass clef.
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___________ was a leading design theorist and practitioner in Zurich, Switzerland. He sought absolute and universal graphic expression through an objective and impersonal presentation, communicating to the audience without the interference of the designer s subjective feelings or propagandistic techniques of persuasion, as in his 1960 public awareness poster Weniger Lärm ( Less Noise ). In his celebrated concert posters, like the Musica Viva concert poster of 1972, the language of constructivism created a visual equivalent to the structural harmony of the music to be performed. He worked extensively with mathematical grid structures. His 1960 exhibition poster der Film demonstrates the universal design harmony achieved by mathematical spatial division.
Josef Müller-Brockman
Josef Müller-Brockman was a leading design theorist and practitioner in Zurich, Switzerland. •
aimed for impartial, impersonal presentation to achieve ultimate and universal visual representation. •
Concert posters: language of structure developed a visual parallel to the structural harmony of the music, attempting to convey without interference from the designers' subjective sentiments or propagandistic strategies of persuasion.
More than any other person, Ernst Keller is responsible for the quality and discipline seen in the Swiss design movement (1891-1968). 1)
In 1918, he began teaching an advertisement layout course and creating a professional degree in design and typography at the Zurich Kunstgewerbeschule (School of Applied Art).
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Select the correct answer from each drop-down menu. What are two significant characteristics of design elements? The elements of design are parts or components of any visual design. You can and these elements, and include them in your design.
modify isolate interpret hide communicate define
The elements of design are parts or components of any visual design and are two significant characteristics of design elements.
What are the elements?A chemical element is a species of atoms, including the pure substance made entirely of that species, that have a specific number of protons in their nuclei. Chemical elements, in contrast to chemical compounds, cannot be reduced by any chemical process into simpler molecules.
Shape, color, space, form, line, value, and texture are only a few of the fundamental components of any visual design known as the elements of design. To produce an image that can elicit a variety of emotions, evoke a certain atmosphere, or attract attention in a specific direction, graphic designers use design components.
Therefore, option (A) is correct.
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individuals working in advertising must always consider all of the following questions, except which?
Individuals working in advertising must always consider all of the following questions, except which b) What message can be communicated using only symbols?
An instantly identifiable representation of a hidden message is a symbol. Professionals in marketing and small business frequently utilize symbols to symbolize their company or brand, to make promotional materials simpler to read and comprehend, and to write about more meaningful ideas.
The symbol is the most significant symbolic medium in online advertising, both in terms of information and shape, with the latter being itself represented by a variety of visual communication forms, including graphic, shape, color, typeface, and style.
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Complete question
Individuals working in advertising must always consider all of the following questions, except which?
a. Who are we trying to sell to?
b. What message can be communicated using only symbols?
c. What logo, typeface, and layout will best pursued the audience?
d. What is the best form(s) of advertisement?
a metal or wooden framework suspended above the stage on which loft blocks and sheaves are mounted, through which are run the lift lines used to fly scenery, drops, and lighting battens
Fly used in proscenium theatre for safe support and quick changes in scenery and lighting. Part of carpentry, but it requires its own set of skills and is almost a separate department.
The flys are managed by the flymen and are overseen by the Head Flyman. The majority of terminology, including the term rigging, is borrowed from the sailing ship industry. Rope systems are rarely used as the primary fly system nowadays, but they are frequently used as an auxiliary system. Rope systems are frequently used for temporary or custom rigging because they are more adaptable than counterweight or winch systems .A fly rail on both the left and right side of the stage is common in well equipped theaters. Pulleys are also known as Blocks, which is a naval term for pulleys on a ship and Sheaves. Overhung blocks sit directly on the grid with the pulley up, while Underhung blocks are fastened above the grid to the ceiling with the pulley hanging down. Main loft blocks are frequently located on or above pairs of heavy support beams with a gap between them, known as loft block wells. The space between is filled with a floor made of channel irons or bar grating. The Grid can accommodate lightweight temporary rigs known as spot lines. The grid can be made of channel iron bar grating, or another lightweight metal grate .In some low cost theaters the grid is omitted, and the rigging is suspended from the ceiling beams. Because there is no Grid, maintenance is difficult and temporary rigging is nearly impossible.
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If a guitar has no sound board, a note played on it will sound for _____
- a shorter time
- the same length of time
- a longer time
Answer:
a long time.
What is the difference between the keys on Javanese metallophones and Balinese metallophones?
A. Javanese metallophones have thicker wooden keys than Balinese ones.
B. Balinese metallophones have thicker metal keys than Javanese ones so they produce a brighter sound.
C. Balinese metallophones have thicker wooden keys than Javanese ones.
D. Javanese metallophones have thicker metal keys than Balinese ones so they produce a brighter sound.
Javanese metallophones have thicker wooden keys than Balinese ones, which is the difference between the keys on Javanese metallophones and Balinese metallophones.
What are the Javanese metallophones and Balinese metallophones?Balinese gamelan features strong, dynamic tones and fast musical rhythms, whereas Javanese gamelan has gentle, sluggish tones. Sundanese gamelan, which is characterized by the sound of flutes, is both soft and mellow.
Compared to Javanese metallophones, Balinese instruments have ticker metal keys. The sound produced by these Balinese metallophones is particularly bright. The usage of cymbals is another aspect of Balinese Gamelan music. The quick rattling sound produced by these cymbals is unusual in Javanese Gamelan music.
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