One of the ways to experience live music in 1929 that was not available ten years earlier was through radio broadcasts. This technology allowed people to listen to live performances from the comfort of their homes, expanding the accessibility of live music to a wider audience.
One of the ways to experience live music in 1929 that was not available ten years earlier was through the radio. This allowed listeners to hear live performances from remote locations, expanding the reach of musical performances beyond physical venues. Additionally, the introduction of sound in films also provided a new way to experience live music, as musicians could perform and record for movie soundtracks. Finally, the advent of electrical amplification allowed for larger audiences to hear live music performances, as sound could be projected further and louder than before. Overall, these technological advancements greatly expanded the accessibility and reach of live music in the late 1920s.
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One of the ways to experience live music in 1929 that was not available ten years earlier was listening to radio broadcasts of live music performances.
In 1929, one of the ways to experience live music that was not widely available ten years earlier was through listening to radio broadcasts of live music performances.
Radio broadcasting became more prevalent and accessible to the general public during the 1920s, allowing people to tune in to live music performances from the comfort of their own homes.
This revolutionized the way people could experience music, as it provided a new avenue for accessing live performances without physically attending concerts or shows.
Prior to the widespread availability of radio broadcasting, live music performances could only be experienced in person by attending concerts, shows, or other live events.
However, with the advent of radio broadcasting, people could listen to live music performances in real-time, expanding their opportunities to enjoy music from various genres and artists, regardless of their location or ability to attend live events in person.
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Two music forms of popular music of the 19th century were:
Answer:vaudeville, minstrelsy
Explanation:
How does Elie save his father on the second train journey?
Answer:
Elie slaps his father to awake him to sshow the other passengers that he is not dead
I hope this is helpful! :)
he states in ars poetica that drama should both teach a lesson and entertain. group of answer choices plautus seneca terence horace
In "Ars Poetica," Horace states that drama should both teach a lesson and entertain.
One of the key principles that Horace outlines in "Ars Poetica" is that literature, including drama, should both teach and entertain. Horace believes that poetry should have a didactic element, meaning that it should instruct or educate the reader or audience.
According to Horace, literature should provide moral guidance and convey important truths about life, society, and human nature. He states, "The poet's aim is either to benefit or to entertain; or he aims at both, though the two may be hard to combine" (lines 333-334).
Horace suggests that literature should have a purpose beyond mere entertainment, and it should contribute to the intellectual and moral development of the reader or audience.
At the same time, Horace emphasizes the importance of entertainment in literature, including drama. He argues that literature should be engaging and enjoyable to read or watch.
He states, "The poet must have power to delight or to move men's minds; but delight is the more compelling" (lines 343-344). Horace recognizes that for literature to effectively convey its didactic messages, it must be engaging and enjoyable, capturing the reader or audience's attention and emotions.
He believes that literature should be a source of pleasure and delight, capable of evoking emotional responses from its audience.
In essence, Horace's view in "Ars Poetica" is that drama, and literature in general, should strike a balance between teaching and entertaining. It should have a didactic element, providing moral guidance and conveying important truths, while also being engaging and enjoyable to read or watch.
According to Horace, the best poetry, including drama, is one that combines both elements effectively, providing both intellectual and emotional satisfaction to its audience.
This idea has been influential in literary theory and criticism, shaping the understanding of the purpose and function of literature for centuries.
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During the first selection at Birkenau, Elie and his father say they are how old?
Eliezer, who is only fourteen years old, will claim to be eighteen, while his father, who is fifty, will claim to be forty. Another prisoner approaches the newcomers and confronts them, accusing them of allowing the Nazis to transport them to Auschwitz in a calm manner.
A helpful insider suggests that Elie, who is fourteen, pretend to be eighteen and instructs his father to deduct ten years from his fifty years. Jewish people who don't know that Auschwitz is a concentration camp where they will be "burned," in the words of a cynical voice, are foolish. frizzed out. Elie's family experienced its first separation as a result of the first choice in Night.
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While the lyrical second theme occurs, what is happening in the background of the first movement of Symphony No. 5 in C Minor?
A. Menacing-sounding bassoons repeat.
B. The opening motive is heard.
C. There is a section of imitative polyphony.
D. Flutes play energetic scales.
Answer:
B) The opening motive is heard.
bleaching is a preparation finish that prepares the fabric for further processing such as dyeing. group of answer choices true false
Answer:
True
Explanation:
Bleaching is a chemical process that eliminates unwanted colored matter from fibers, yarns, or cloth. Bleaching decolorizes colored impurities that are not removed by scouring and prepare the cloth for further finishing processes such as dyeing or printing.
Acting alternated between exaggerated and more natural styles in
In English theatre of the eighteenth and nineteenth centuries, acting varied between exaggerated and more naturalistic approaches.
How did theatre fare during that time?The term "nineteenth-century theatre" is used to characterise a wide variety of developments in the theatrical cultures of Europe and the United States during this time period. The exaggerated movement, gestures, grandiose effects, dramatic drama, physical humour, and puns were all common in early 19th-century acting. Outlandish clothing were also a common element. Melodrama was first popularised by what were known as "boulevard theatres," which featured popular drama. This genre would come to rule theatre in the 19th century. Romantic drama, in turn, was made possible by melodrama's popularisation of Neoclassical deviations and ability to draw sizable audiences. Vaudeville was the decade's most well-liked entertainment genre. Variety was the mainstay of vaudeville performances, which often had nine to twelve acts that included comedy, daredevilry, dramatic plays, and singing.To learn more about nineteenth-century English theatre, refer to:
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The tetrarchy was the split of Rome into halves and the creation of:a. a single augustus who ruled the wealthy East and a caesar who ruled the West.b. two augustuses who ruled the East and two caesars who ruled the West.c. an augustus in the West and one in the East assisted and succeeded by caesars.d. a single augustus who ruled the troublesome West and a caesar who ruled the East.
The tetrarchy was the split of Rome into halves and the creation of an Augustus in the West and one in the East assisted and succeeded by caesars. Therefore the correct option is option C.
Diocletian, a Roman emperor, instituted the Tetrarchy as a form of government in 293 CE. It split the Roman Empire in half, with a senior emperor named Augustus and a junior emperor named Caesar in charge of each half. In terms of prestige and authority, the Augusti in the West and the East were equal, and each had a Caesar to support and succeed them. By facilitating improved communication and more effective government, this system was created to enhance the empire's administration and defence.
Therefore the correct option is option C.
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there is little discernible difference in the filmmaking process between making experimental films using classical analog technology vs. making it with modern, digital technology. group of answer choices true false
This claim is False. Experimental films made with traditional analog technology go through a very different filmmaking process than those made with contemporary digital technology.
Digital technology records and presents images as digital data, in contrast to analog film, which uses a physical filmstrip to do so. This distinction has an impact on every step of the filmmaking process, from image capture to editing and post-production.
To get the intended effects in analog filmmaking, the filmmaker must physically manipulate the filmstrip using methods like scratching, painting, or collage. The images are created by a time-consuming, unpredictable chemical process that might produce surprising and distinctive visual features. Digital technology, on the other hand, enables more accurate and effective image alteration through software and digital effects.
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The amount of visual interest in all sides of a work; can be symmetrical or asymmetrical. Question 1 options: line unity balance emphasis
The term that describes the amount of visual interest in all sides of a work, whether it is symmetrical or asymmetrical, is balance.
Balance in art refers to the visual distribution of elements within a composition, with the aim of achieving equilibrium or stability. It can be achieved through symmetry, where elements are mirrored on both sides of an imaginary vertical or horizontal axis, or asymmetry, where elements are balanced through the use of different shapes, colors, or textures on each side.
Balance can be further categorized into three types: symmetrical balance, asymmetrical balance, and radial balance. Symmetrical balance occurs when elements are arranged equally on both sides of an imaginary central axis, while asymmetrical balance occurs when elements are arranged unequally but still achieve a sense of equilibrium.
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Identify who said this quote "Me too, me too... They told me too to stay in the camp."
This quote is spoken by a young boy in Elie Wiesel's book "Night". The boy is being forcibly deported along with his family to a concentration camp during the Holocaust, and he desperately pleads with Elie's father to allow him to join them in their cabin on the train.
The boy insists, "Me too, me too... They told me too to stay in the camp," referring to the instructions given to him by the Nazi guards.
The boy's words underscore the sense of confusion, fear, and desperation that characterized the experiences of many prisoners during the Holocaust, especially children who were separated from their families and forced to confront the horrors of the concentration camps on their own.
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the rhythmic interlocking of voices in this excerpt is called a __________. call-and-response dotted rhythm drone hocket
The rhythmic interlocking of voices in this excerpt is called a hocket. Therefore the correct option is option D.
Hocket is a method in which a single melody or rhythm is alternately or overlappingly shared by two or more voices or instruments, creating an interlocking effect.
Each voice or instrument contributes a component of the melody or rhythm in this technique, and the parts come together to make a cohesive whole.
Hocketing was a popular method in Mediaeval and Renaissance music, and it can be heard in many forms in music from all around the world. Therefore the correct option is option D.
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Imagine you could remodel any space in the world (your bedroom, your backyard, your favorite restaurant!). Which type of interior designer would you need to help you? Describe the before and after—what does the space look like now and how would it look after your remodel?
Need a residential interior designer to help me with my remodel project. My favorite restaurant is an old Italian restaurant in my neighborhood.
Before the remodel, the restaurant was outdated and lacked personality. The walls were plain white, the seating was uncomfortable, and there was very little decor. After the remodel, I envision rich wood paneling on the walls, modern upholstered seating for comfort, statement lighting fixtures to bring drama to the space,
and vibrant wall art for a unique atmosphere. Additionally, potted plants would be strategically placed around the restaurant to make it feel homey and inviting. The overall look will be incredibly warm and inviting - perfect for enjoying Italian cuisine!
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_______ and _______ brought European opera to a dramatic and theatrical high point.
Richard Wagner and Giuseppe Verdi are the two composers that elevated European opera to its dramatic and theatrical zenith.
The theatrical operas "La traviata," "Aida," and "Rigoletto" by the 19th-century Italian composer Verdi are noted for their raw emotion and intensity. He incorporated new components, including as intricate harmonies and deep emotional realism, into traditional Italian opera traditions.
Wagner, a German composer from the same era, revolutionized opera with his idea of Gesamtkunstwerk, or "whole artwork," in which all elements of the production—music, libretto, staging, etc.—work in concert to provide the audience a seamless and immersive experience. Wagner's epic breadth and complexity may be found in works like "Tristan und Isolde," "Der Ring des Nibelungen," and "Die Meistersinger von Nürnberg."
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in the painting the blue room, uses three patterns that ____. a. are similar b. are focal points c. contrast d. merge
In the painting "The Blue Room", the artist uses three patterns that contrast with each other. The painting features a woman seated on a chair in a room that is decorated with various patterns. The first pattern is the blue wallpaper that covers the walls of the room.
The second pattern is the red and gold rug on the floor, which features a bold, geometric design. The third pattern is the woman's dress, which is a floral pattern in shades of yellow and green.
The contrast between these three patterns creates a dynamic and visually interesting composition. The blue wallpaper provides a calming backdrop for the more vibrant rug and dress, which stand out as focal points.
The geometric shapes of the rug create a sense of structure and order, while the floral pattern of the dress adds a touch of organic softness to the scene.
Overall, the use of contrasting patterns in "The Blue Room" serves to emphasize the different elements of the composition and create a sense of balance and harmony between them.
The result is a painting that is both visually striking and emotionally engaging, inviting the viewer to explore the complex relationships between color, form, and texture.
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By the end of the third century, the involvement of women in the Church had:A. grown to the point that women occupied many of the new bishoprics created in the empire;B. changed little from the early days of the Church, with women in a few positions of power;C. changed little from the early days of the Church, but now women could become priests;D. remained exactly the same, with women continuing as deacons and other positions of power;E. shrunk to the point that they were completely excluded from all positions of power.
The correct answer is B. By the end of the third century, the involvement of women in the Church had changed little from the early days of the Church, with women in a few positions of power.
In the early days of Christianity, women played an important role in the Church, particularly in supporting and spreading the faith. However, as the Church grew and became more institutionalized, women's role in leadership and governance became increasingly limited.
By the end of the third century, women had not yet occupied many bishoprics, and their opportunities for leadership were restricted.
While it is true that women could serve as deacons in some parts of the Church, there is no evidence to suggest that they could become priests at this time.
In fact, the Church fathers were generally opposed to the idea of women serving as priests, and it was not until much later that women were ordained as priests in some denominations.
It is worth noting that while women's opportunities for leadership were limited in the third century, they continued to play an important role in the Church through their charitable work and support of the faith.
Women such as Perpetua and Felicity, who were martyred for their faith in the early third century, serve as examples of the important contributions that women made to the early Church.
Overall, while the involvement of women in the Church did not shrink to the point of complete exclusion by the end of the third century, their opportunities for leadership and governance were limited compared to the early days of Christianity.
It would be several centuries before women would have the opportunity to occupy many of the leadership positions within the Church.
Therefore, by the end of the third century, the involvement of women in the Church had B) changed little from the early days of the Church, with women in a few positions of power.
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When Alexius Comnenus asked for western help against the Seljuq Turks, he was hoping for a:A. crusading army that would recapture Jerusalem;B. large army of foot soldiers to drive the Turks from Anatolia, the Byzantine heartland;C. force of heavily armored knights to deploy against the lightly armored Turkish cavalry;D. group of Norman mercenaries to serve as his palace guard;E. conquering army he could lead against the Muslims and thus unite all of Christendom.
Alexius Comnenus hoped for a troop of knights with heavy armour to deploy against the poorly armoured Turkish cavalry when he appealed for assistance from the west in fighting the Seljuq Turks(211).
What exactly is Turkish cavalry?Two different forms of cavalry were created by the sipahis: the paid, regular kapkulu sipahi (sipahi of the Porte), which made up the cavalry component of the Ottoman household forces, and the provincial, feudal-like timarl sipahi (timariots), which made up the majority of the Ottoman army. From the fifteenth until the late eighteenth century, the sipahi cavalry, based on feudal principles, was a key component of Ottoman forces. The Sultan entrusted a land fief in trust to the sipahi's, professional mounted warriors. The elite cavalry of the Macedonian army, the Companion cavalry, or Hetairoi, was regarded as the best cavalry in all of antiquity.The successor nations established by the generals of Alexander the Great, the Diadochi, kept using heavy cavalry in their own armed forces after the Macedonian Empire had fallen.To learn more about Turkish cavalry, refer to:
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Which global popular music style has had a long-running conversation with bhangra and is regularly paired and hybridized with it?
The global popular music style that has had a long-running conversation with bhangra and is regularly paired and hybridized with it is hip hop.
Bhangra is a traditional style of music and dance that originated in the Punjab region of India and Pakistan. In recent decades, it has become popular in the diaspora, particularly in the UK, where it has been combined with a variety of other musical styles, including hip hop.
The fusion of bhangra and hip hop has resulted in the creation of a new subgenre of music that is often referred to as "Bhangra hip hop" or "Bhangraton". This hybrid style typically features elements of traditional bhangra music, such as the dhol drum and Punjabi vocals, combined with hip hop beats and production techniques.
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What role did bhangra play for South Asian youths in Great Britain by the 1960s?
Bhangra had become an important cultural symbol for South Asian youths in Great Britain by the 1960s, providing a connection to their heritage and a way to express their identity and pride in their culture.
As South Asian immigrants began to settle in the UK in the mid-20th century, they faced discrimination and marginalization. In this context, bhangra music provided a way for young people to assert their identity and express pride in their culture.
The music combined traditional Punjabi rhythms and instruments with Western elements, creating a unique sound that was both familiar and new. Bhangra quickly became popular among South Asian youth in the UK, and it played an important role in building a sense of community and belonging.
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Alexander Calder's "mobiles," like "Untitled," move when air currents move through them, making them
a) abstract
b) optical illusions
c) patterned d) kinetic
Answer:
d) kinetic!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
What do the guests find in the attic? Question 8 options: A cheap Buddhist art piece that Sanjeev admires. An important Hindu art piece that makes Sanjeev emotional. A majestic secular art piece that completely changes Sanjeev's mind. A noble Christian art piece that Sanjeev hates the most.
Answer:
An important Hindu art piece that makes Sanjeev emotional.
What does the term dohl refer to in relation to the bhangra tradition?
In the context of the Bhangra tradition, the term "dohl" (also spelled "dhol") refers to a type of double-headed drum that is used to provide the rhythmic foundation for Bhangra music and dance.
The dohl is typically made from carved-out solid wood, and has two drumheads made from animal hide, one on each end. The player holds the drum vertically and plays it with two wooden sticks, one thinner and lighter for higher-pitched tones, and one thicker and heavier for lower-pitched tones. The dohl player is often accompanied by a second dohl player who plays a complementary rhythm.
The dohl is an important instrument in Bhangra music and provides a driving, energetic beat that is central to the lively and celebratory nature of Bhangra dance.
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The musical style that performs live sounds manipulated in recording studios is called:
The musical style that performs live sounds manipulated in recording studios is typically referred to as "lip syncing" or "playback."
Lip syncing or "playback" are common terms for the musical genre that uses live sounds that have been altered in recording facilities.
This type of performance involves the performer or ensemble lip-syncing or mimicking their vocals and instrumental parts to a previously recorded recording that is played back live.
This method is frequently employed in pop music and other genres where a polished, well-produced sound is desired, but it can be debatable because some people believe it lessens the spontaneity and authenticity of a live performance.
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Rudy Burckhardt's photos teach us that Jackson Pollock longed to be involved in:
a) the mechanized world
b) impressionist masterpieces c) the poetry of Robert Frost
d) the process of painting
According to Rudy Burckhardt's photos, Jackson Pollock longed to be involved in the process of painting.
Burckhardt's photos of Pollock working in his studio depict him fully immersed in the act of painting, with a strong focus on his gestural movements and the physicality of his process. Pollock's commitment to the act of painting was a central aspect of his artistic practice and is evident in his work, which is characterized by its highly expressive and dynamic compositions.
Pollock's interest in the process of painting was deeply rooted in his belief in the importance of intuition and spontaneity in art.
He sought to create works that were not preconceived or planned, but rather emerged from his subconscious as he worked.
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Which best describes the tempo of the music in the first three sections (Introduction, Dance of the Youths and Maidens, and Game of Abduction) of Stravinsky's The Rite of Spring?
Russian folk song melodies and sound blocks swap in Dance of the Youths and Maidens. A basic duple pulse repeats a discordant chord, but the beat is erratic because of the misplaced accents.
The ballet, which Nijinsky choreographed for Diaghilev's Ballets Russes, did have breathtakingly innovative musical aspects, including intricate polytonalities that result in deliberate dissonances, densely overlapping polyrhythms, and foregrounded percussion.
One of the smoothest ballroom dances is the waltz. It is a progressive dance with long, flowing steps, constant rotations, and "rise and fall." Waltz dancers seem to glide around the floor with absolutely little effort since the dance is so smooth and graceful.
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a voodoo doll is a good illustration of
the following artists are classified in the text as crooners (2 correct)
a. Count Basie
b. W. C. Handy
c. Frank Sinatra
d. Robert Johnson
e. Billie Holiday
The crooner style of singing emerged in the early 20th century and was characterized by a smooth, intimate vocal style. C) Frank Sinatra and E) Billie Holiday are both considered crooners due to their ability to convey emotion and intimacy through their singing.
Crooners were a popular type of male singer who emerged during the early 20th century, known for their smooth, intimate singing style.
While many musicians of various genres and eras could be classified as crooners, the most famous and definitive examples of this type of singer come from the era of big band music and jazz.
Of the artists listed, two are commonly classified as crooners: C) Frank Sinatra and E) Billie Holiday.
Frank Sinatra, often referred to as "Ol' Blue Eyes," was one of the most popular and influential crooners of all time. His smooth, velvety voice, combined with his good looks and charismatic stage presence, made him a beloved icon of mid-century popular music.
Sinatra's early career was defined by his work with big band leaders like Tommy Dorsey, but he later became equally famous for his solo work, producing countless classic songs like "My Way" and "Fly Me to the Moon."
Billie Holiday, while not as commonly thought of as a crooner, is also often classified as one due to her intimate, emotional singing style. Holiday, known for her deeply personal and expressive performances, was one of the most important and influential jazz singers of all time.
Her classic recordings, including "Strange Fruit" and "God Bless the Child," have become iconic works of American music.
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The narrator (could be the author but isn't) asserts himself in the novel by ___________ and by being ______.
The narrator asserts himself in the novel by expressing his distinct perspective on the events and characters, and by being an active participant in the story.
In order to provide an answer that is relevant to the specific novel you are referring to, I would need more information about the book itself.
However, I can provide a general answer using the terms you've mentioned.
Providing commentary or opinions on the events or characters in the story, which can reveal the narrator's personality, beliefs, and biases.
Using a distinctive narrative voice or style that sets them apart from the characters and adds to the atmosphere or tone of the story.
Interacting with the characters or inserting themselves into the plot, either as an active participant or an omniscient observer.
Using metafictional devices or techniques that draw attention to the fact that the story is a work of fiction and that the narrator is a constructed persona rather than a real person.
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Throughout theatre history, regardless of the predominant acting style of the day, the actors that were singled out as being the greatest of their generation were always those actors who made certain to overemphasize their emotions with excessive physical movement. (True or False)
The given statement " Throughout theatre history, regardless of the predominant acting style of the day, the actors that were singled out as being the greatest of their generation were always those actors who made certain to overemphasize their emotions with excessive physical movement" is false because some performers have used exaggerated bodily movement to portray emotion throughout history, it is incorrect to argue that this is a universal criteria for outstanding acting.
Over the course of theatre history, ideas on what makes a great actor have changed and evolved, and many acting idioms have placed emphasis on various methods and techniques. In fact, rather than being known for their over-the-top physicality, some of the most renowned actors in theatre history have been praised for their delicacy and depth.
In the end, the notion of excellent acting is arbitrary and depends on the cultural and historical setting.
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To compensate for the natural visual distortion in which tall columns appear to bend inward, the Greeks gave them a slight bulge, which is known as:
Question 3 options:
To compensate for the natural visual distortion in which tall columns appear to bend inward, the Greeks gave them a slight bulge, which is known as entasis.
Entasis is the name for the little bulge that the Greeks applied to tall columns to offset the optical illusion that they appear to bend inward. The purpose of this design element is to provide the illusion that the columns are straighter and more stable to the human eye.
It is notably noticeable in ancient Greek architecture, such as the Parthenon in Athens. The middle third of the column, where the distortion is most noticeable, is where the entasis is most frequently encountered.
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The following question may be like this:
To compensate for the natural visual distortion in which tall columns appear to bend inward, the Greeks gave them a slight bulge, which is known as: