Answer:
only 12 of the 100
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there is little discernible difference in the filmmaking process between making experimental films using classical analog technology vs. making it with modern, digital technology. group of answer choices true false
This claim is False. Experimental films made with traditional analog technology go through a very different filmmaking process than those made with contemporary digital technology.
Digital technology records and presents images as digital data, in contrast to analog film, which uses a physical filmstrip to do so. This distinction has an impact on every step of the filmmaking process, from image capture to editing and post-production.
To get the intended effects in analog filmmaking, the filmmaker must physically manipulate the filmstrip using methods like scratching, painting, or collage. The images are created by a time-consuming, unpredictable chemical process that might produce surprising and distinctive visual features. Digital technology, on the other hand, enables more accurate and effective image alteration through software and digital effects.
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By the end of the third century, the involvement of women in the Church had:A. grown to the point that women occupied many of the new bishoprics created in the empire;B. changed little from the early days of the Church, with women in a few positions of power;C. changed little from the early days of the Church, but now women could become priests;D. remained exactly the same, with women continuing as deacons and other positions of power;E. shrunk to the point that they were completely excluded from all positions of power.
The correct answer is B. By the end of the third century, the involvement of women in the Church had changed little from the early days of the Church, with women in a few positions of power.
In the early days of Christianity, women played an important role in the Church, particularly in supporting and spreading the faith. However, as the Church grew and became more institutionalized, women's role in leadership and governance became increasingly limited.
By the end of the third century, women had not yet occupied many bishoprics, and their opportunities for leadership were restricted.
While it is true that women could serve as deacons in some parts of the Church, there is no evidence to suggest that they could become priests at this time.
In fact, the Church fathers were generally opposed to the idea of women serving as priests, and it was not until much later that women were ordained as priests in some denominations.
It is worth noting that while women's opportunities for leadership were limited in the third century, they continued to play an important role in the Church through their charitable work and support of the faith.
Women such as Perpetua and Felicity, who were martyred for their faith in the early third century, serve as examples of the important contributions that women made to the early Church.
Overall, while the involvement of women in the Church did not shrink to the point of complete exclusion by the end of the third century, their opportunities for leadership and governance were limited compared to the early days of Christianity.
It would be several centuries before women would have the opportunity to occupy many of the leadership positions within the Church.
Therefore, by the end of the third century, the involvement of women in the Church had B) changed little from the early days of the Church, with women in a few positions of power.
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What does the term dohl refer to in relation to the bhangra tradition?
In the context of the Bhangra tradition, the term "dohl" (also spelled "dhol") refers to a type of double-headed drum that is used to provide the rhythmic foundation for Bhangra music and dance.
The dohl is typically made from carved-out solid wood, and has two drumheads made from animal hide, one on each end. The player holds the drum vertically and plays it with two wooden sticks, one thinner and lighter for higher-pitched tones, and one thicker and heavier for lower-pitched tones. The dohl player is often accompanied by a second dohl player who plays a complementary rhythm.
The dohl is an important instrument in Bhangra music and provides a driving, energetic beat that is central to the lively and celebratory nature of Bhangra dance.
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Describe blue tonality. What are the elements that are part of blue tonality? (2 points)
Answer: Blue tonality is a color scheme or palette that is dominated by shades of blue. Some elements that are a part of blue may includes various shades of blue, complementary colors such as green and purple. Other elements likes cool whites, grays, and sometimes blacks.
Explanation: This tonality is often used to create a cool, calm, and serene atmosphere in visual arts such as paintings, photographs, and even graphic designs. When using blue tonality, it is important to consider the intensity of the blue tones and how they relate to the other colors in the palette. For example, using lighter shades of blue may create a more ethereal and dreamy atmosphere, while darker shades of blue may create a more somber and introspective mood. Darker shades tend to ground us.
Blue tonality can also be influenced by factors such as lighting, saturation, and contrast. We can use high contrast or low saturation for more dramatic effects, while softer lightning and higher saturation may create a soothing atmosphere. Overall, blue tonality is calm, peaceful, and contemplative.
Answer:
Blue tonality is when musicians slightly lower or raise the notes to really bring home the feeling of what they're singing about. Specifically, they will adjust the third scale degree, the fifth scale degree, and the seventh scale degree.
Explanation:
TRUE/FALSE. the realistic portrayal of characters in a lifelike fashion has been characteristic of theatre throughout history.
The hallmark of an actor's performance throughout the history of live theatre has been the genuine, lifelike representation of characters. False. The actual appearance and sound of classical acting are described in sources that theatre historians have found.
This is an illustration of the Stanislavsky method. In summary: The actor is asked to recall an emotional or affective memory that is comparable in content or feeling to that of their role. Instead than just repeating the part, the actor inhabits the role via empathy.
The goal of realistic acting is to portray characters and situations that viewers can easily relate to and validate from their own experiences. If you've ever stood next to someone inside a panda, the image above will seem incredibly unreal in comparison.
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Alexander Calder's "mobiles," like "Untitled," move when air currents move through them, making them
a) abstract
b) optical illusions
c) patterned d) kinetic
Answer:
d) kinetic!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
_______ and _______ brought European opera to a dramatic and theatrical high point.
Richard Wagner and Giuseppe Verdi are the two composers that elevated European opera to its dramatic and theatrical zenith.
The theatrical operas "La traviata," "Aida," and "Rigoletto" by the 19th-century Italian composer Verdi are noted for their raw emotion and intensity. He incorporated new components, including as intricate harmonies and deep emotional realism, into traditional Italian opera traditions.
Wagner, a German composer from the same era, revolutionized opera with his idea of Gesamtkunstwerk, or "whole artwork," in which all elements of the production—music, libretto, staging, etc.—work in concert to provide the audience a seamless and immersive experience. Wagner's epic breadth and complexity may be found in works like "Tristan und Isolde," "Der Ring des Nibelungen," and "Die Meistersinger von Nürnberg."
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Which best describes the tempo of the music in the first three sections (Introduction, Dance of the Youths and Maidens, and Game of Abduction) of Stravinsky's The Rite of Spring?
Russian folk song melodies and sound blocks swap in Dance of the Youths and Maidens. A basic duple pulse repeats a discordant chord, but the beat is erratic because of the misplaced accents.
The ballet, which Nijinsky choreographed for Diaghilev's Ballets Russes, did have breathtakingly innovative musical aspects, including intricate polytonalities that result in deliberate dissonances, densely overlapping polyrhythms, and foregrounded percussion.
One of the smoothest ballroom dances is the waltz. It is a progressive dance with long, flowing steps, constant rotations, and "rise and fall." Waltz dancers seem to glide around the floor with absolutely little effort since the dance is so smooth and graceful.
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The tetrarchy was the split of Rome into halves and the creation of:a. a single augustus who ruled the wealthy East and a caesar who ruled the West.b. two augustuses who ruled the East and two caesars who ruled the West.c. an augustus in the West and one in the East assisted and succeeded by caesars.d. a single augustus who ruled the troublesome West and a caesar who ruled the East.
The tetrarchy was the split of Rome into halves and the creation of an Augustus in the West and one in the East assisted and succeeded by caesars. Therefore the correct option is option C.
Diocletian, a Roman emperor, instituted the Tetrarchy as a form of government in 293 CE. It split the Roman Empire in half, with a senior emperor named Augustus and a junior emperor named Caesar in charge of each half. In terms of prestige and authority, the Augusti in the West and the East were equal, and each had a Caesar to support and succeed them. By facilitating improved communication and more effective government, this system was created to enhance the empire's administration and defence.
Therefore the correct option is option C.
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The narrator (could be the author but isn't) asserts himself in the novel by ___________ and by being ______.
The narrator asserts himself in the novel by expressing his distinct perspective on the events and characters, and by being an active participant in the story.
In order to provide an answer that is relevant to the specific novel you are referring to, I would need more information about the book itself.
However, I can provide a general answer using the terms you've mentioned.
Providing commentary or opinions on the events or characters in the story, which can reveal the narrator's personality, beliefs, and biases.
Using a distinctive narrative voice or style that sets them apart from the characters and adds to the atmosphere or tone of the story.
Interacting with the characters or inserting themselves into the plot, either as an active participant or an omniscient observer.
Using metafictional devices or techniques that draw attention to the fact that the story is a work of fiction and that the narrator is a constructed persona rather than a real person.
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Throughout theatre history, regardless of the predominant acting style of the day, the actors that were singled out as being the greatest of their generation were always those actors who made certain to overemphasize their emotions with excessive physical movement. (True or False)
The given statement " Throughout theatre history, regardless of the predominant acting style of the day, the actors that were singled out as being the greatest of their generation were always those actors who made certain to overemphasize their emotions with excessive physical movement" is false because some performers have used exaggerated bodily movement to portray emotion throughout history, it is incorrect to argue that this is a universal criteria for outstanding acting.
Over the course of theatre history, ideas on what makes a great actor have changed and evolved, and many acting idioms have placed emphasis on various methods and techniques. In fact, rather than being known for their over-the-top physicality, some of the most renowned actors in theatre history have been praised for their delicacy and depth.
In the end, the notion of excellent acting is arbitrary and depends on the cultural and historical setting.
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Yasmine is choosing colors for her client's eye makeup. Her client has green eyes and has requested that Yasmine really make her eyes pop. Which
colors should Yasmine use to help her client's green eyes pop?
A. greens, blues, coppers, and silvers
B.reddish-orange or reddish-violet
C. orange tones like gold, peach, or copper
D.purple, green, or olive
in mathias v. accor economy lodging incorporated, the case in the text, the court found that punitive damages were appropriate because:
In Mathias v. Accor Economy Lodging Incorporated, the court found that punitive damages were appropriate because the defendant's conduct was considered willful, wanton, and in reckless disregard for the plaintiff's rights.
In Mathias v. Accor Economy Lodging Incorporated, the case in the text, the court found that punitive damages were appropriate because the defendant's conduct was "outrageous, wanton, and reckless" and showed a "conscious disregard for the rights of others." This type of behavior justified the imposition of punitive damages as a means of punishing the defendant and deterring future misconduct.
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In Mathias v. Accor Economy Lodging, the court found that punitive damages were appropriate because the hotel chain had knowledge of the ongoing sexual harassment by one of its employees and failed to take appropriate actions to stop it.
The case included a woman who was assaulted in her hotel room by an intruder who had been provided a key to her room by hotel officials. The plaintiff claimed that the hotel's security measures were lax, allowing the intruder to enter her room and assault her.
The hotel was judged negligent by the jury, and the plaintiff was awarded compensatory damages for her injuries. The court did, however, allow the jury to consider punitive damages, which are intended to penalise the defendant for exceptionally egregious behaviour and deter future such behaviour.
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edward gordon craig denied that theatre was a fusion of many arts, instead seeing it as: group of answer choices a wholly autonomous art, fused by a master artist. an independent artistic movement that should be structured and disciplined. a simple medium with which to express human emotion. empty entertainment that possesses no artistic merit.
His most innovative theatrical idea was that the entire "scene" in a dramatic work should be movable in all directions; the floor and the ceiling were to be made of squares that, under the artist's control, could be moved up and down individually.
Groups within a continuously changing pattern of light. He created and constructed complex symbolic sets, such as a Hamlet set for the Moscow Art Theatre made of his patented moveable screens. Additionally, he served as The Mask, the first worldwide theatre magazine,'s editor and main writer. This essay examines a concept put forth by Robert Craig, which divides the communication sector into seven traditions.
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The musical style that performs live sounds manipulated in recording studios is called:
The musical style that performs live sounds manipulated in recording studios is typically referred to as "lip syncing" or "playback."
Lip syncing or "playback" are common terms for the musical genre that uses live sounds that have been altered in recording facilities.
This type of performance involves the performer or ensemble lip-syncing or mimicking their vocals and instrumental parts to a previously recorded recording that is played back live.
This method is frequently employed in pop music and other genres where a polished, well-produced sound is desired, but it can be debatable because some people believe it lessens the spontaneity and authenticity of a live performance.
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Two music forms of popular music of the 19th century were:
Answer:vaudeville, minstrelsy
Explanation:
Some works of art are created precisely to give us the illusion or sensation of movement. This style of art is called:
a) Dada
b) animal style
c) Op Art
d) decorative art
Some pieces of art are specifically made to give us the impression or experience of movement. Op art is the name of this type of artwork.
Op art, often known as optical art, is a form of visual art that employs deceptions of the eye. Op art is abstract, and many of the more well-known pieces were produced in black and white.
The spectator often perceives movement, concealed images, flashing and vibrating patterns, as well as swelling or warping.
Through the illusory manipulation of such basic repetitive shapes as parallel lines, checkerboard patterns, and concentric circles or by generating chromatic tension through the juxtaposition of complementary (chromatically opposite) colors of equal intensity, op art painters created complex and paradoxical optical spaces.
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bleaching is a preparation finish that prepares the fabric for further processing such as dyeing. group of answer choices true false
Answer:
True
Explanation:
Bleaching is a chemical process that eliminates unwanted colored matter from fibers, yarns, or cloth. Bleaching decolorizes colored impurities that are not removed by scouring and prepare the cloth for further finishing processes such as dyeing or printing.
the alteration or removal of works of art from public view is known as __________.
Answer:
Censorship is the alteration or removal of works of art from public view.
The alteration or removal of works of art from public view is known as censorship.
Censorship refers to the suppression or control of information, ideas, or artistic expressions that are considered objectionable, harmful, or offensive by certain individuals, groups, or governments.
This practice can occur in various forms, such as banning books, movies, or art exhibits, or altering content to remove or modify specific elements.
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Answer the following question in 1-2 complete sentences. In sculpture, what is modeling? Name two benefits to this technique of sculpture.
Modeling is a technique for creating three-dimensional models out of materials like dust and clay using your hands.
Sculptors can add and remove material while they work by modeling it, gradually constructing the sculpture's form and improving its statistics.
The two main advantages of modeling are creativity and design flexibility. Products that can be manufactured through machinery are mass produced and do not highlight creativity, whereas modeling with arms affords both in the creator. Although mass-produced goods are very common, sculptors no longer create similar products repeatedly.
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What do the guests find in the attic? Question 8 options: A cheap Buddhist art piece that Sanjeev admires. An important Hindu art piece that makes Sanjeev emotional. A majestic secular art piece that completely changes Sanjeev's mind. A noble Christian art piece that Sanjeev hates the most.
Answer:
An important Hindu art piece that makes Sanjeev emotional.
Mitzi the cat is looking at its empty bowl and meowing. Mitzi must be hungry."A) Inductive, strong.B) Deductive, invalid.C) Deductive, valid.D) Inductive, weak.E) Inductive, cogent.
Answer: A
Explanation:
The lintel of the west portal at Saint-Genis-des-Fontaines is one of the _____ examples of Romanesque figural sculpture.
The lintel of the west portal at Saint-Genis-des-Fontaines is one of the most impressive examples of Romanesque figural sculpture.
The lintel of the west portal at Saint-Genis-des-Fontaines is one of the most impressive examples of Romanesque figural sculpture. It is a masterpiece of the period and a testament to the artistic achievements of the Romanesque era.
The lintel depicts the Last Judgment, with Christ in the center and the apostles on either side. The figures are highly stylized, with elongated proportions and intricate drapery. The carving is highly detailed and precise, with delicate facial features and expressive gestures.
What makes this particular example of Romanesque figural sculpture so exceptional is its combination of technical skill and spiritual significance. The artists who created the lintel were highly skilled craftsmen, capable of working with stone in a way that few others could. They were also deeply committed to their faith, and imbued their work with a sense of spiritual power and intensity that is still palpable today.
The lintel of the west portal at Saint-Genis-des-Fontaines is a testament to the enduring legacy of Romanesque art, and a testament to the timeless power of religious expression. Its beauty and significance continue to inspire and awe viewers centuries after it was created.
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Acting alternated between exaggerated and more natural styles in
In English theatre of the eighteenth and nineteenth centuries, acting varied between exaggerated and more naturalistic approaches.
How did theatre fare during that time?The term "nineteenth-century theatre" is used to characterise a wide variety of developments in the theatrical cultures of Europe and the United States during this time period. The exaggerated movement, gestures, grandiose effects, dramatic drama, physical humour, and puns were all common in early 19th-century acting. Outlandish clothing were also a common element. Melodrama was first popularised by what were known as "boulevard theatres," which featured popular drama. This genre would come to rule theatre in the 19th century. Romantic drama, in turn, was made possible by melodrama's popularisation of Neoclassical deviations and ability to draw sizable audiences. Vaudeville was the decade's most well-liked entertainment genre. Variety was the mainstay of vaudeville performances, which often had nine to twelve acts that included comedy, daredevilry, dramatic plays, and singing.To learn more about nineteenth-century English theatre, refer to:
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What role did bhangra play for South Asian youths in Great Britain by the 1960s?
Bhangra had become an important cultural symbol for South Asian youths in Great Britain by the 1960s, providing a connection to their heritage and a way to express their identity and pride in their culture.
As South Asian immigrants began to settle in the UK in the mid-20th century, they faced discrimination and marginalization. In this context, bhangra music provided a way for young people to assert their identity and express pride in their culture.
The music combined traditional Punjabi rhythms and instruments with Western elements, creating a unique sound that was both familiar and new. Bhangra quickly became popular among South Asian youth in the UK, and it played an important role in building a sense of community and belonging.
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Identify who said this quote "Me too, me too... They told me too to stay in the camp."
This quote is spoken by a young boy in Elie Wiesel's book "Night". The boy is being forcibly deported along with his family to a concentration camp during the Holocaust, and he desperately pleads with Elie's father to allow him to join them in their cabin on the train.
The boy insists, "Me too, me too... They told me too to stay in the camp," referring to the instructions given to him by the Nazi guards.
The boy's words underscore the sense of confusion, fear, and desperation that characterized the experiences of many prisoners during the Holocaust, especially children who were separated from their families and forced to confront the horrors of the concentration camps on their own.
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What group of people traditionally dance to bhangra in rural Punjab?
Answer:
The traditional dance form of Bhangra originated in the Punjab region of India and is performed by farmers during the harvest season. In rural Punjab, Bhangra is traditionally performed by men, but nowadays women also participate in Bhangra performances. The dance involves energetic movements, footwork, and the use of traditional instruments such as the dhol, a double-headed drum. The Bhangra dance has now become popular worldwide, and people of all ages and backgrounds participate in Bhangra performances as a form of celebration and cultural expression.
Explanation:
in the painting the blue room, uses three patterns that ____. a. are similar b. are focal points c. contrast d. merge
In the painting "The Blue Room", the artist uses three patterns that contrast with each other. The painting features a woman seated on a chair in a room that is decorated with various patterns. The first pattern is the blue wallpaper that covers the walls of the room.
The second pattern is the red and gold rug on the floor, which features a bold, geometric design. The third pattern is the woman's dress, which is a floral pattern in shades of yellow and green.
The contrast between these three patterns creates a dynamic and visually interesting composition. The blue wallpaper provides a calming backdrop for the more vibrant rug and dress, which stand out as focal points.
The geometric shapes of the rug create a sense of structure and order, while the floral pattern of the dress adds a touch of organic softness to the scene.
Overall, the use of contrasting patterns in "The Blue Room" serves to emphasize the different elements of the composition and create a sense of balance and harmony between them.
The result is a painting that is both visually striking and emotionally engaging, inviting the viewer to explore the complex relationships between color, form, and texture.
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the author's rhetorical strategies in the passage include all of the following except
The author's rhetorical strategies in the passage include all of the following except Appeals to authority. option (A) is correct.
Rhetorical strategies, or contraptions as they are overall called, are words or word expresses that are used to convey significance, instigate a response from a crowd of people or peruser, and convince during correspondence. Expository methodologies can be utilized in composing, in the discussion, or on the other hand if you are arranging a discourse.
Rhetorical strategies are used to convince a crowd of people by stressing what they see as generally significant or convincing. The three significant requests are ethos (character), logos (reason), and feeling (feeling).
Therefore, option (A) is correct.
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This question is not complete, Here I am attaching the complete question:
The author's rhetorical strategies in the passage include all of the following except
(A) Appeals to authority.
(B) Lacking
(C) Identified properly
the people who invented opera believed that they were re-creating the greek tragic style, which had fused music with drama. true or fasle
Answer: True
Explanation: