Metal engravings are made by using the intaglio technique. The correct option is C. With the use of a burin, a short steel rod with a sharpened V-shaped point, the engraver would carve impressions into the plate.
When was metal engraving invented?Around the middle of the 15th century, engraving independently developed in the German Rhine valley and northern Italy. German goldsmiths, the most notable of whom are Master E.S. and the Master of the Playing Cards, are said to have created it first. They are now only known by their initials or aliases.
A metal plate is sliced into lines during the intaglio printmaking technique of engraving in order to contain the ink. The engraving plate might be composed of zinc or copper. To ensure that only the deliberate lines will be printed, the metal plate is first polished to remove any blemishes and defects from the surface.
Thus, the ideal selection is option C.
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which of the following is an example of a picture plane?
a) A potters bowl
b) A sculptor's clay
c) An architectures building
d) a painters canvas
any help would be highly appreciated thank you
Explanation:
I think ita D i just know
What two factors help determine a work's success to an art historian?
Answer:
hard work and discpline
Explanation:
whats a way to cope with depression and anxiety I don't want to take medications again so help
Answer:
the 54321 technic trust me it helps when you painic
Explanation:
What does it take to be a National Artist?
Answer:
LÁPIZ BORRADOR
Explanation:
Y SABER DIBUJAR :)
2. Which of these is NOT a texture of music?
A Polyphonie
B. Tetraphonic
C. Homophonie
D Monophonie
Answer:
Tetraphonic
Explanation:
It is not a texture of music
Answer:
tetraphonic
Explanation:
George Balanchine was invited to the US in 1933 by Lincoln Kirstein, a young, wealthy patron of the arts. Complete the following: 1. Write a brief 15-20 sentence paragraph biography of Balanchine. 2. In the 2nd 8-12 sentence paragraph, discuss the impact & importance of George Balanchine in the history if ballet in the United States from 1933 until his death in 1983.
Answer:
The young American arts patron Lincoln Kirstein (1907-1996), raised in Boston and a graduate of Harvard University, harbored a dream: To establish a ballet company in America, filled with American dancers and not dependent on repertory from Europe. Through Romola Nijinsky, whom Kirstein had assisted in writing a biography of her husband, he met Balanchine after a Les Ballets 1933 performance and outlined his vision. Balanchine was essential to it. Deciding quicky in favor of a new start, Balanchine agreed to come to the United States and arrived in New York in October 1933. "But first, a school," he is famously reported to have said.
Kirstein was prepared to support the idea, and the first product of their collaboration was indeed a school, the School of American Ballet, founded in 1934 with the assistance of Edward M.M. Warburg, a Harvard colleague. (The first classes were held January 2.) The School remains in operation to this day, training dancers for the New York City Ballet and companies worldwide. The first ballet Balanchine choreographed in America--Serenade, to Tschaikovsky--was created for students of the School and had its world premiere outdoors at Warburg's summer home near White Plains, New York, in 1934. Within a year, Balanchine and Kirstein had created a professional company, the American Ballet, which made its debut at the Adelphi Theater, New York City, in March 1935. After a handful of summer performances, a projected tour collapsed, but the troupe remained together as the resident ballet company at the Metropolitan Opera. However, Balanchine had no interest in choreographing opera dances, and the Met had little interest in furthering the cause of ballet; in the American Ballet's three years at the Met, Balanchine was allowed just two all-dance programs. In 1936, he mounted a dance-drama version of Gluck's Orfeo and Eurydice, controversial in that the singers were relegated to the pit while the dancers claimed the stage. The second program, in 1937, was, prophetically, devoted to Stravinsky: a revival of Apollo plus two new works, Le Baiser de la Fée and Card Game. It was the first of three festivals Balanchine devoted to Stravinsky over the years.
The fifty-year collaboration of these two creative giants is unique in the 20th century. Stravinsky's description of their work together on Balustrade in 1940 is implicitly a description of their shared vision. He wrote, "Balanchine composed the choreography as he listened to my recording, and I could actually observe him conceiving gestures, movement, combinations, and composition. The result was a series of dialogues perfectly complementary to and coordinated with the dialogues of the music." (In 1972, Balanchine choreographed a new ballet to the same score, Stravinsky Violin Concerto.)
The American Ballet's association with the Met came to an end in 1938 and Balanchine took several of his dancers to Hollywood. In 1941, he and Kirstein assembled another classical company, American Ballet Caravan, for a five-month good-will tour of South America. In the repertory were two major new Balanchine works, Concerto Barocco and Ballet Imperial (later renamed Tschaikovsky Piano Concerto No. 2). But after the tour this company, too, disbanded, and the dancers were forced to find work elsewhere. Between 1944 and 1946 Balanchine was engaged to revitalize Sergei Denham's Ballet Russe de Monte Carlo after the departure of Massine. There he choreographed Danses Concertantes (1944), Raymonda, and Night Shadow (later called La Sonnambula, both in 1946), while reviving Concerto Barocco, Le Baiser de la Fée, Serenade, Ballet Imperial, and Card Party (renamed Jeu de Cartes). Many of Balanchine's most important early works were introduced to America at large by the Ballet Russe, which toured the length and breadth of the country for nine months of the year.
Explanation:
Hope this helps ik its alot but you can sum it up!
Brainlist??
What kind of scale is: WWHWWWH? What does this scale mean and why is it important?
Answer:
Explanation:
major scale
A major scale, a sound with which you are undoubtedly familiar, consists of seven whole (W) and half (H) steps in the following succession: W-W-H-W-W-W-H. The first pitch of the scale, called the tonic, is the pitch upon which the rest of the scale is based.